Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
Resultados 1-3 de 19
Página 144
... preparing for his confession , locks the doors and " brings down chair from L. of table and sits C. " In this ... preparation for the next , repeating the position associated with the low intensity of the opening . The confession ...
... preparing for his confession , locks the doors and " brings down chair from L. of table and sits C. " In this ... preparation for the next , repeating the position associated with the low intensity of the opening . The confession ...
Página 151
... fellows -- I can but try . -- Now stand , my friend , thou potent devil , gold !. Hear me , my worthy friends -- Come nearer ! 1 10p . cit . , p . 23 . In this extended preparation for the attempted bribery , each -151-
... fellows -- I can but try . -- Now stand , my friend , thou potent devil , gold !. Hear me , my worthy friends -- Come nearer ! 1 10p . cit . , p . 23 . In this extended preparation for the attempted bribery , each -151-
Página 198
... prepared later effects were generally made shortly before the effect , with no apparent motivation . Perhaps they ... preparing a major event could occur without any special attempt to conceal its utilitarian nature . Since promptbooks ...
... prepared later effects were generally made shortly before the effect , with no apparent motivation . Perhaps they ... preparing a major event could occur without any special attempt to conceal its utilitarian nature . Since promptbooks ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford