Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
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Página 4
... present study , but with a difference in emphasis . He outlines those features which distinguish melo- drama from other genres and reconstructs its salient points through ample quotation of stage directions and other descriptive ...
... present study , but with a difference in emphasis . He outlines those features which distinguish melo- drama from other genres and reconstructs its salient points through ample quotation of stage directions and other descriptive ...
Página 149
... present , the important point is the move- ment's rhythmic integrity : as a gesture might cut through the air in a single , forceful beat , the body was to move across the stage in a unified span of time . A traverse movement , of ...
... present , the important point is the move- ment's rhythmic integrity : as a gesture might cut through the air in a single , forceful beat , the body was to move across the stage in a unified span of time . A traverse movement , of ...
Página 187
... present a picture to the audience gracefully conformable to all the rules of variety , and relief.1 The critic was speaking specifically of " first nights , " not of an 1 William Cooke , The Elements of Dramatic Criticism ( London : G ...
... present a picture to the audience gracefully conformable to all the rules of variety , and relief.1 The critic was speaking specifically of " first nights , " not of an 1 William Cooke , The Elements of Dramatic Criticism ( London : G ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford