Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
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Página 150
... rhythmic sequence was both a means of texturing the presentation and giving an added stimulus to the emotional effect . The rhythm of speech and activity gave the action a very distinctive 1 tone -- a bright , brisk , vigorous effect ...
... rhythmic sequence was both a means of texturing the presentation and giving an added stimulus to the emotional effect . The rhythm of speech and activity gave the action a very distinctive 1 tone -- a bright , brisk , vigorous effect ...
Página 151
... rhythm had strong emotional effect . But above all , its use in melodrama altered the nature of the emotional response ; even more than the roundness of gestural line or the conventions of voice and attitude , rhythmic sequence was a ...
... rhythm had strong emotional effect . But above all , its use in melodrama altered the nature of the emotional response ; even more than the roundness of gestural line or the conventions of voice and attitude , rhythmic sequence was a ...
Página 160
... rhythm of an activity , so that if the sequence would benefit from extension , there were simple , conventional ... rhythmic potential . The broad form , of course , was set largely by the script , but it was nevertheless the form into ...
... rhythm of an activity , so that if the sequence would benefit from extension , there were simple , conventional ... rhythmic potential . The broad form , of course , was set largely by the script , but it was nevertheless the form into ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford