Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
Resultados 1-3 de 29
Página 12
... specific figures for specific moments is question- able , the prints are valuable in providing a chronicle of the full range of the individual actor's vocabulary of physical expression . Many sets of acting editions contain ...
... specific figures for specific moments is question- able , the prints are valuable in providing a chronicle of the full range of the individual actor's vocabulary of physical expression . Many sets of acting editions contain ...
Página 112
Conrad Bishop. STAREGRU TIRRARIES eyes was of secondary importance . When there was a specific involvement with an object , there was always a strong emotional overtone . The glance ... specific object of this furious display . A -112-
Conrad Bishop. STAREGRU TIRRARIES eyes was of secondary importance . When there was a specific involvement with an object , there was always a strong emotional overtone . The glance ... specific object of this furious display . A -112-
Página 120
... specific passion , the speech had to be saturated with the rhythm , pitch , and timbre most typi- cal of that passion . An actor's expressive range was judged to a considerable extent by the passions to which his vocal endow- ments were ...
... specific passion , the speech had to be saturated with the rhythm , pitch , and timbre most typi- cal of that passion . An actor's expressive range was judged to a considerable extent by the passions to which his vocal endow- ments were ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford