Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
Resultados 1-3 de 82
Página 13
... stage , people should pay a visit to a private theatre , where , from the straggling manner in which the performers stand , some stuck close together , others at the extreme corner of the stage from each other , & c . & c . as if ...
... stage , people should pay a visit to a private theatre , where , from the straggling manner in which the performers stand , some stuck close together , others at the extreme corner of the stage from each other , & c . & c . as if ...
Página 135
... stage - business -- comprised a body of convention as elaborate as the techniques of voice and gesture : The bugbear of a young actor is stage - business . This means the mechanical action requisite to preserve the sequence of the play ...
... stage - business -- comprised a body of convention as elaborate as the techniques of voice and gesture : The bugbear of a young actor is stage - business . This means the mechanical action requisite to preserve the sequence of the play ...
Página 193
... stage , as if removal from the stage would end the action itself . In Black - Ey'd Susan , when Crosstree attacks Susan at the end of Act I , " she breaks from him and runs off L.U.E. he follows & drags her back . " The onstage locale ...
... stage , as if removal from the stage would end the action itself . In Black - Ey'd Susan , when Crosstree attacks Susan at the end of Act I , " she breaks from him and runs off L.U.E. he follows & drags her back . " The onstage locale ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford