Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
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Página 37
Conrad Bishop. B. Conventions of Structure and Character Convention is an all - pervasive influence in melodrama . Popular art characteristically develops a formula with instant mass appeal , and in the process ... Structure and Character.
Conrad Bishop. B. Conventions of Structure and Character Convention is an all - pervasive influence in melodrama . Popular art characteristically develops a formula with instant mass appeal , and in the process ... Structure and Character.
Página 39
... structure of the scene or the accomplishment of the tasks of the role . The core of the type - character comprised his allow- able emotional tone and range of responses , his position in the moral structure , the audience attitude ...
... structure of the scene or the accomplishment of the tasks of the role . The core of the type - character comprised his allow- able emotional tone and range of responses , his position in the moral structure , the audience attitude ...
Página 41
... structure could exist only as a result of it . While the playbills never failed to point up an edifying moral purpose , the melodramatist was primarily concerned with the excitement of emotional response . He accomplished his goal by ...
... structure could exist only as a result of it . While the playbills never failed to point up an edifying moral purpose , the melodramatist was primarily concerned with the excitement of emotional response . He accomplished his goal by ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford