Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
Resultados 1-3 de 21
Página 144
... sudden surge of excitement , and the physical contact has brought the forward impulse to a sudden freeze ; Wilford's kneel gives Mortimer a heightened dominance and opportunity for variation in attitude , through changing his direction ...
... sudden surge of excitement , and the physical contact has brought the forward impulse to a sudden freeze ; Wilford's kneel gives Mortimer a heightened dominance and opportunity for variation in attitude , through changing his direction ...
Página 146
... sudden halt on " I disdain all pity . " In either case , the movement reinforces the emotion and puts him into a new position as preparation for the next major build , a long speech of rage at Wilford . It concludes : I could embody it ...
... sudden halt on " I disdain all pity . " In either case , the movement reinforces the emotion and puts him into a new position as preparation for the next major build , a long speech of rage at Wilford . It concludes : I could embody it ...
Página 181
... sudden effect as much as possible , to the detriment of the mixed ebb and flow of the eighteenth century traditional transition . Both Garrick and Kean used the instantaneous transition , though both often used the preparatory pause ...
... sudden effect as much as possible , to the detriment of the mixed ebb and flow of the eighteenth century traditional transition . Both Garrick and Kean used the instantaneous transition , though both often used the preparatory pause ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford