Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
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Página 96
... suggest actual re- treat , with some aggressive intent Act 1 , Scene 1 . Figure 20 still manifest , or it could heighten the Figure 21 noble stature of the hero : in Figure 20 , Orlando keeps his torso at a distance from Oliver so that ...
... suggest actual re- treat , with some aggressive intent Act 1 , Scene 1 . Figure 20 still manifest , or it could heighten the Figure 21 noble stature of the hero : in Figure 20 , Orlando keeps his torso at a distance from Oliver so that ...
Página 103
... suggest the nature of the hand positions , most of which are quite familiar to us already : a clenched fist as a ... suggested an actual touching , stroking , or embracing the object . In horror , the hands were shields against the ...
... suggest the nature of the hand positions , most of which are quite familiar to us already : a clenched fist as a ... suggested an actual touching , stroking , or embracing the object . In horror , the hands were shields against the ...
Página 146
... suggests that a change of tone will follow -- just as a sudden chord would suggest that a strong effect would follow-- thus creating the theatrical illusion of a transition . The abbreviated speech beginning " Boy , I would not kill ...
... suggests that a change of tone will follow -- just as a sudden chord would suggest that a strong effect would follow-- thus creating the theatrical illusion of a transition . The abbreviated speech beginning " Boy , I would not kill ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford