Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
Resultados 1-3 de 20
Página 50
... task of revealing to the audience the true state of matters at all times , including the character's basic inner nature and intentions . Gordon Craig explains the rationale of this traditional task , after describing Irving's first ...
... task of revealing to the audience the true state of matters at all times , including the character's basic inner nature and intentions . Gordon Craig explains the rationale of this traditional task , after describing Irving's first ...
Página 59
... task considering the amount of rehearsal time available for such attunement . Rather than entering in perfect harmony to the preceding scene , he might also enter in sharp contrast , as the above example from The Floating Beacon indi ...
... task considering the amount of rehearsal time available for such attunement . Rather than entering in perfect harmony to the preceding scene , he might also enter in sharp contrast , as the above example from The Floating Beacon indi ...
Página 122
... task . Each had to sense the tone and rhythm established by the music or preceding speech , strike her own proper tone , and sustain it without interruption , in order to create a single , tight rhythmic unit building to a climax . For ...
... task . Each had to sense the tone and rhythm established by the music or preceding speech , strike her own proper tone , and sustain it without interruption , in order to create a single , tight rhythmic unit building to a climax . For ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford