Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
Resultados 1-3 de 23
Página 61
... typical scene of the villain threatening an indecent assault upon the heroine : Brenno . Hold ! You fly not ! That passion burns in my veins , which , if you refuse to satisfy , force shall compel . Innogen . Force ! Brenno . Think on ...
... typical scene of the villain threatening an indecent assault upon the heroine : Brenno . Hold ! You fly not ! That passion burns in my veins , which , if you refuse to satisfy , force shall compel . Innogen . Force ! Brenno . Think on ...
Página 75
... typical device of melodramatic style . Similarly , Forrest was criticized for swelling his 2 voice on the word " swell . The effect of this principle was to eliminate the subtextual level , for the content of the role was included ...
... typical device of melodramatic style . Similarly , Forrest was criticized for swelling his 2 voice on the word " swell . The effect of this principle was to eliminate the subtextual level , for the content of the role was included ...
Página 100
... typical uses of elevated arms . The relative simplicity of this means of creating a striking pictorial effect probably was responsible for its use in many attitudes and reactions of super- numeraries , as in cheering , toasting , or ...
... typical uses of elevated arms . The relative simplicity of this means of creating a striking pictorial effect probably was responsible for its use in many attitudes and reactions of super- numeraries , as in cheering , toasting , or ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford