An Approach to LiteraturePrentice-Hall, 1975 - 902 páginas An Approach to Literature provides a very liberal selection of fiction, poetry and drama, and it is scarecely to be expected that the book will be regularly used from cover to cover. What we have tried to do, now more positively than ever, is to give teachers room to maneuver, a range of choices out of which they can tailor a course to their special needs and to the tastes and capacities of their students. |
Dentro del libro
Resultados 1-3 de 33
Página 591
... CAESAR ) CAESAR . Welcome to Rome . ANTONY . CAESAR . ANTONY . CAESAR . Thank you . Sit . Sit , sir . Nay , then . ANTONY . I learn , you take things ill which are not so , Or being , concern you not . CAESAR . 31 I must be laughed at ...
... CAESAR ) CAESAR . Welcome to Rome . ANTONY . CAESAR . ANTONY . CAESAR . Thank you . Sit . Sit , sir . Nay , then . ANTONY . I learn , you take things ill which are not so , Or being , concern you not . CAESAR . 31 I must be laughed at ...
Página 607
... Caesar . More , Domitius ; My lord desires you presently : 4 my news I might have told hereafter . ENOBARBUS . 22 " Twill be naught ; But let it be . Bring me to Antony . EROS . Come , sir . ( Exeunt ) 25 SCENE 6. Rome . A room in Caesar's ...
... Caesar . More , Domitius ; My lord desires you presently : 4 my news I might have told hereafter . ENOBARBUS . 22 " Twill be naught ; But let it be . Bring me to Antony . EROS . Come , sir . ( Exeunt ) 25 SCENE 6. Rome . A room in Caesar's ...
Página 614
... Caesar : I dare him therefore To lay his gay comparisons apart , And answer sword , 25 me declined , 5 sword against Ourselves alone . I'll write it : follow me . ( Exeunt ANTONY and EUPHRONIUS ) ENOBARBUS ( aside ) . Yes , like enough ...
... Caesar : I dare him therefore To lay his gay comparisons apart , And answer sword , 25 me declined , 5 sword against Ourselves alone . I'll write it : follow me . ( Exeunt ANTONY and EUPHRONIUS ) ENOBARBUS ( aside ) . Yes , like enough ...
Contenido
Introduction | 1 |
William Carlos Williams | 11 |
Fictional Point | 17 |
Derechos de autor | |
Otras 65 secciones no mostradas
Otras ediciones - Ver todas
An Approach to Literature Cleanth Brooks,John Thibaut Purser,Robert Penn Warren Vista de fragmentos - 1964 |
An Approach to Literature Cleanth Brooks, John Thibaut Purser, Robert Penn Warren Vista de fragmentos - 1952 |
An Approach to Literature Cleanth Brooks,John Thibaut Purser,Robert Penn Warren Vista de fragmentos - 1939 |
Términos y frases comunes
A. E. Housman accents anapest Anson ANTISTROPHE ANTONY asked Aunt Julia BRACK Caesar CHARMIAN CHORAGOS CLEOPATRA CREON Danny Deever dark dear death door Eilert ELVSTED ENOBARBUS EXERCISES eyes face fact father feel fiction girl give hair hand head hear heard heart HEDDA Helton HIGGINS horse iambic pentameter IOCASTE kind knew La Lupa lady laugh light live looked LÖVBORG Mark Antony meaning meter metrical mind MISS TESMAN mother never night OEDIPUS PEARCE Pepé play poem poet poetry POMPEY rhythm rime Rodney Salzman scene seemed sense Sir Patrick Spens sleep smile stanza stood story talk TEIRESIAS tell thee theme thing Thompson thou thought tion told tone trees turned verse voice walked wife woman word young
Referencias a este libro
Professing Performance: Theatre in the Academy from Philology to Performativity Shannon Jackson Vista previa limitada - 2004 |
Oedipus Ubiquitous: The Family Complex in World Folk Literature Allen W. Johnson,Douglass Richard Price-Williams Vista previa limitada - 1996 |