An Approach to LiteraturePrentice-Hall, 1975 - 902 páginas An Approach to Literature provides a very liberal selection of fiction, poetry and drama, and it is scarecely to be expected that the book will be regularly used from cover to cover. What we have tried to do, now more positively than ever, is to give teachers room to maneuver, a range of choices out of which they can tailor a course to their special needs and to the tastes and capacities of their students. |
Dentro del libro
Resultados 1-3 de 26
Página 328
... rime , then , might strike him offhand as fundamental for poetry . To take rhythm : Rhythm may be de- fined as a ... rime : Unlike rhythm , rime is not a fundamental characteristic of poetry . The poetry of some languages does not use ...
... rime , then , might strike him offhand as fundamental for poetry . To take rhythm : Rhythm may be de- fined as a ... rime : Unlike rhythm , rime is not a fundamental characteristic of poetry . The poetry of some languages does not use ...
Página 523
... Rime Rime is of course a correspondence in sound between the last accented syllables of two or more words ( glow - blow , address- repress ) . If riming words end in one or more unaccented syllables , these must also corres- pond in ...
... Rime Rime is of course a correspondence in sound between the last accented syllables of two or more words ( glow - blow , address- repress ) . If riming words end in one or more unaccented syllables , these must also corres- pond in ...
Página 531
... rime into a fixed pattern . In fact , neither a met- rical line nor a rime scheme is necessary to determine a stanza . Let us further explore the nature of stanza form by examining three diverse examples . Here , from Tennyson's " The ...
... rime into a fixed pattern . In fact , neither a met- rical line nor a rime scheme is necessary to determine a stanza . Let us further explore the nature of stanza form by examining three diverse examples . Here , from Tennyson's " The ...
Contenido
Introduction | 1 |
William Carlos Williams | 11 |
Fictional Point | 17 |
Derechos de autor | |
Otras 65 secciones no mostradas
Otras ediciones - Ver todas
An Approach to Literature Cleanth Brooks,John Thibaut Purser,Robert Penn Warren Vista de fragmentos - 1964 |
An Approach to Literature Cleanth Brooks, John Thibaut Purser, Robert Penn Warren Vista de fragmentos - 1952 |
An Approach to Literature Cleanth Brooks,John Thibaut Purser,Robert Penn Warren Vista de fragmentos - 1939 |
Términos y frases comunes
A. E. Housman accents anapest Anson ANTISTROPHE ANTONY asked Aunt Julia BRACK Caesar CHARMIAN CHORAGOS CLEOPATRA CREON Danny Deever dark dear death door Eilert ELVSTED ENOBARBUS EXERCISES eyes face fact father feel fiction girl give hair hand head hear heard heart HEDDA Helton HIGGINS horse iambic pentameter IOCASTE kind knew La Lupa lady laugh light live looked LÖVBORG Mark Antony meaning meter metrical mind MISS TESMAN mother never night OEDIPUS PEARCE Pepé play poem poet poetry POMPEY rhythm rime Rodney Salzman scene seemed sense Sir Patrick Spens sleep smile stanza stood story talk TEIRESIAS tell thee theme thing Thompson thou thought tion told tone trees turned verse voice walked wife woman word young
Referencias a este libro
Professing Performance: Theatre in the Academy from Philology to Performativity Shannon Jackson Vista previa limitada - 2004 |
Oedipus Ubiquitous: The Family Complex in World Folk Literature Allen W. Johnson,Douglass Richard Price-Williams Vista previa limitada - 1996 |