Imágenes de páginas

have heard, indeed, that it is the general wish of the officers now employed on the polar expedition, that circumstances may occur to admit of such an event without deviating from their instructions; but that we conceive is very improbable.

We suspect that the wintering place of Kotzebue may not have been more comfortable than on the pole itself. Had he succeeded in getting through to Baffin's or Hudson's bay, or in returning, before the winter of IS 17 set in, to Kamtschatka, intelligence to that effect must have reached Petersburgh before the end of March. It is a mistaken idea, however, that he was to make the attempt by sea. His instructions, on the contrary, direct him to leave his vessel in Norton Sound, unless he should discover (which he actually has done) some cove or bay to the northward. From this place he is to explore the whole extent of the American coast, first to the northward and then to the eastward. To effect this, he is to supply himself with small baidars of the lightest and most portable kind, to enable him to cross any rivers or lakes he may fall in with in tracing the American coast to the eastward; in which direction he is to proceed as far as the eastern coast, unless, from the severity of the climate or barrenness of the country, the journey be found impracticable. In August 1816, he passed Behring's Strait without difficulty; and, in latitude 67°, discovered on the coast of America a large inlet, extending in a S. E. direction to 161° of longitude. Within it were several bays or coves, which he had not time to explore, from tbe advanced period of the season. He therefore returned to New Albion to pass the winter, and reached Sandwich islands in March 1817, since which nothing has been heard of his proceedings. This is not the only project which Count Romanzoff (whose liberal and patriotic spirit is worthy of the highest admiration) had planned for the solution of the interesting geographical problem which still remains to be solved. He had intended to engage some enterprizing American in the attempt of a north-west passage up Davis's Strait, but on hearing of the present expedition from England, he considered his interference as no longer necessary.

What the result of the present expeditions may be, and whether they will answer the expectations of those who planned them, 8 little time must shew; from the zeal, the energy, the talent and the enthusiasm of the brave volunteers—for all, without exception, are volunteers, from the highest to the lowest—who have embarked on this highly interesting voyage, we may assure ourselves that what map can do will be done, and that all the difficulties which may occur, and for which they are fully prepared, will be met with cool and steady resolution. Unshaken in their ardour,

they tliey have treated with scorn the insidious attempts which we understand have been made to discourage them from the glorious enterprize.

With equal contempt we notice (in quarters, too, where decency ought to have imposed silence) insinuations of the inutility of the measure. A philosopher should despise the narrowminded notions entertained by those who, viewing the subject as merely one of profit and loss, are unable to form any other notion of its utility; and have just sagacity enough to discover that if a passage should be found one year, it may happen to be closed the next! We can well imagine that many such sinister boding^ were heard when Bartholomew Diaz returned without doubling the Cape of Good Hope, and even when Magelhanes had effected a southern passage into the Pacific.—But our decreasing limits warn us to a close.

Briefly, then, we shall not degrade the noblest and most disinterested enterprize that was ever undertaken in ancient or modern times, by condescending to justify it to the selfish'and calculating horde whose cavils we have recorded; but to the liberal and honourable mind that thinks the pursuit of science for the sake of science, worthy of a great, a prosperous, and an enlightened nation like England, we would say that the point in question involves an infinity of results of the utmost importance to the perfection of science; that the benefits of science are not to be calculated; and that no guess can be formed to what extent they may be carried. Who could have imagined that the polarity of the magnet, which lay hid for ages after its attractive virtue was known, would lead to the discovery of a new world? and who can tell what further advantages mankind may derive from the magnetical influence, so very remarkable, yet so very little understood? or pretend to limit the discoveries to which electricity and galvanism may yet open the way? Had any one, thirty years ago, been bold enough to assert that he would light up our shops and houses, and theatres and streets, with a more brilliant flame than had yet been produced; that this flame should be extracted from common fuel, and carried for miles, if necessary, under ground in iron pipes, he would at once have been set down as little better than a madman or an impostor; yet all this and more has been brought about! We may be mistaken in our conjectures respecting the current and polar basin—every thing, excepting the facts we have brought forward, may be just the reverse of what we have here contended for; and both expeditions may fail in the main object of the arduous enterprize; but they can scarcely fail in being the means of extending the sphere of human knowledge; and if

F F 4 they they bring back an accession of this, they cannot be said to have been sent out in vain—for 'knowledge is power;' and we may safely commit to the stream of time the beneficial results of its irresistible influence.

Art. IX.—Characters of Shukespear's Plays. By William Hazlitt. 8vo. London. 1817

\\7HEN we called the attention of our readers to Mr. Beckett's * * 'Shakspeare's himself again,' we little flattered ourselves that another writer would arise, so well qualified as the author of the work before us, to conteud with him for the palm of critical excellence. Their objects are indeed different; but in point of taste and knowledge, they coincide in a very remarkable degree. Mr. Beckett informed us that no one, who did not study his book, could comprehend Shakspeare's meaning. Mr. Hazlitt does not undertake to make us understand the poet better, and in truth he is sometimes not very intelligible himself; but he endeavours to persuade us that, w ithout his assistance, we shall be incapable of feeling his beauties, Mr. Beckett's qualifications must be gathered from the perusal of his work; but the peculiar excellencies of Mr. Hazlitt have been pointed out by a friend and admirer ' who is himself the great sublime he draws.' They principally consist in 'his indestructible love of flowers and odours, and dews, and clear waters, and soft airs and sounds, and bright skies, and woodland solitudes, with moonlight bowers,'

Thus gifted, it may be supposed that Mr. Hazlitt is not inclined to speak with much respect of his critical predecessors. He mentions, indeed, with some indulgence, a parallel between the characters of Macbeth and Richard, ' by a gentleman of the name of Mason-—(not Mason the poet)'—-such is his accurate mode of describing the late Mr. Whateley !—but he pours the whole weight of his censure on Dr. Johnson. He scarcely thinks his preface worthy of perusal, and has therefore read it so hastily that he does not seem to have understood one word of it: hence he charges the Doctor with supporting opinions which he never entertained, and some of which, indeed, he has expressly opposed. We shall not misspend our own and the reader's time by entering into a formal defence of one of the most perfect pieces of criticism which lias appeared since the days of Quintilian, but content ourselves with producing a specimen of the erudition by which it has been assailed. , Johnson's object, he tells us, was ' to cut down imagination to matter-of-fact, regulate the passions according to reason, and translate

the the whole into logical diagrams and rhetorical declamation.' What Johnson thought of rhetorical declamation in tragedy, and how much he wished to find it in Shakspeare, he has told us in this very preface, and elsewhere more particularly, in his defence of Cato from the cavils of Voltaire;—but if Mr. Hazlitt has discovered a mode of constructing logical diagrams, he is the sole depositary of his own secret, and may claim an equal rank in science with the honest Cambridge carter who, when asked whether his horses could draw an inference? boldly replied, Yes, or any thing in reason. Nor is this a mere slip of the pen: Mr. Hazlitt is fond of the phrase, and seems to consider its use as an evidence of his scholarship. We meet with it again in a passage which will not be easily paralleled for slip-slop absurdity.

'The character of Iago is one of the supererogations of Shakespear't genius. Some persons, more nice than wise, have thought this whole character unnatural, because his villainy is without a sufficient motive. Shakespear, who was as good a philosopher as he was a poet, thought otherwise. He knew that the love of power, which is another name for the love of mischief, ic natural to man. He would know this as well or better than if it had been demonstrated to him by a logical diagram, merely from seeing children paddle in the dirt or kill flies for sport.' —p. 54.

The variety of Mr. Hazlitt's style is as striking as his phraseology. Sometimes he would seem, from his gorgeous accumulation of emblematical terms, which leave all meaning far behind, to have formed himself upon the model of Samuel Johnson—not the author of the Rambler—but, of 11 urlothrumbo the Supernatural. Sometimes he breaks forth into a poetical strain, as, at the mention of Ophelia, 'O, rose of May! O, flower too soon faded!' but more frequently he descends to that simpler style of eloquence which is in use among washerwomen, the class of females with whom, as we learn from the ' Round Table,' he and his friend Mr. Hunt more particularly delight to associate; 'Iago here turns the character of poor Desdemona as it were inside out,' &c. In nothing however is Mr. Hazlitt more independent, than in his notions of versification. He will not accept of the text as adopted by his predecessors, but constructs it anew upon principles of metrical harmony, peculiarly his own. Having occasion to quote a well known passage in Macbeth, he exhibits it in the following state of improvement:

'" My way of life is fallen into the sear,
The yellow leaf; and that which should accompany old age,
As honour, troops of friends, I must not look to have;
But in their stead, curses not loud but deep,
Mouth-honour, breath, which the poor heart
Would fain deny and dare not."'—p. 29.


The first play upon which he has favoured us with His remarks is Cymbeline, where he points out, in a very original manner, Shakspeare's use of the principle of analogy.

'The striking and powerful contrasts in which Shakespear abounds could not escape observation; but the use he makes of the principle of analogy to reconcile the greatest diversities of character and to maintain a continuity of feeling throughout, has not been sufficiently attended to.'—p. 9

These 'examples of the same feeling' are, as he informs us, 'the amorous importunities of Cloten, the determination of Iachimo to conceal the defeat of his project by a daring imposture, the faithful attachment of Pisanio, and the incorrigible wickedness of the queen:' all these, with the unalterable fidelity of Imogen, are (it seems) ' different inflections of the same predominating principle, melting into and strengthening each other, like chords in music' If the principle of analogy, which produces such extraordinary associations, is predominant in Cymbeline, the principle of contrast is as strikingly apparent in Macbeth. Hence arise, we are told, ' the violent antitheses of the style, the throes and labour which run through the expression.' If Shakspeare has at any time forgotten to give us an antithesis, Mr. Hazlitt is at hand to supply it. 'Duncan is cut off betimes by treason leagued with witchcraft, and Macduff is ripped untimely from his mother's womb to avenge his death.' After two pages of this sort of contrast, he proudly concludes, with perfect truth, ' We might multiply such instances every where.'

The witches, he observes, cannot be represented with their fuH effect upon the stage, from their no longer being the subject of popular superstition. This leads him into various melancholy reflections upon the degeneracy of the age we live in, a topic sufficiently trite, but which is treated by Mr. Hazlitt in a perfectly novel manner. He not onlv laments that we no longer believe in witchcraft, but seems to think, (what the framers of the Police Report were by no means aware of,) that there is an alarming deficiency of pickpockets.

'The progress of manners and knowledge has an influence on the stage, and will in time perhaps destroy both tragedy and comedy. Jilch's picking pockets, in the Beggars' Opera, is not so good a jest as it used to be: by the force of the police and of philosophy, Lillo's murders and the ghosts in Shakespear will become obsolete. At last there will be nothing left, good nor bad, to be desired or dreaded, on the theatre or in real life.'—p. 30.

Hamlet is introduced to us in the dashing style of a showman at a fair—Walk in, ladies ^nd gentlemen—

'This is that Hamlet the Dane, whom we read of in our youth, and whom we seem almost to remember in our after-years; he who made

\ '"that

« AnteriorContinuar »