Dramatic Discourse: Dialogue as Interaction in PlaysRoutledge, 2005 M06 20 - 340 páginas Whilst poetry and fiction have been subjected to extensive linguistic analysis, drama has long remained a neglected field for detailed study. Vimala Herman argues that drama should be of particular interest to linguists because of its form, dialogue and subsequent translation into performance. The subsequent interaction that occurs on stage is a rich and fruitful source of analysis and can be studied by using discourse methods that linguists employ for real-life interaction. Shakespeare, Pinter, Osborne, Beckett, Chekhov, and Shaw are just some of the dramatists whose material is drawn upon. Each chapter contains a theoretical section in which major concepts of each framework are explained before the relevance of the framework to dramatic discourse is analyzed and explored using textual examples. This book will be of interest to undergraduates and postgraduates studying in the areas of literary linguistics and stylistics, or anyone specialising in the relationship between the text and performance. |
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... culturally endorsed reflexivity thatdistinguishes it Turner callsa 'liminal' (sometimes 'liminoid' for technologically advanced societies) andmetasocial space, in which, groups strive to see their own reality in new ways and to generate ...
... culturally endorsed reflexivity thatdistinguishes it Turner callsa 'liminal' (sometimes 'liminoid' for technologically advanced societies) andmetasocial space, in which, groups strive to see their own reality in new ways and to generate ...
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... cultures,and are open tovarious social andnot grammatical meanings alone.Moreover, they function withinlarger unitslike speech eventsor communicative events astheyhave also been termed.The coordinates of speechevents are complex ...
... cultures,and are open tovarious social andnot grammatical meanings alone.Moreover, they function withinlarger unitslike speech eventsor communicative events astheyhave also been termed.The coordinates of speechevents are complex ...
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... cultural load on the context of situation inwhich speechisused canbe considerable,even if unconscious, since it includes all the 'knowledges' that native speakers maybe assumedto draw upon in order to communicate and use language ...
... cultural load on the context of situation inwhich speechisused canbe considerable,even if unconscious, since it includes all the 'knowledges' that native speakers maybe assumedto draw upon in order to communicate and use language ...
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... cultural codesfor speaking are different (for example, where the languageusedis thefirst language forone speaker andasecond languagefortheother), or that speaking rules maybe similar across contiguous areas, but languages or dialectsmay ...
... cultural codesfor speaking are different (for example, where the languageusedis thefirst language forone speaker andasecond languagefortheother), or that speaking rules maybe similar across contiguous areas, but languages or dialectsmay ...
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... cultures giveequal weight tovalour in war andeloquence in speech in assessing their chiefs. The Bella Coolans privilege fluent, witty talk, whilethedemocratic cultureof the Gbeyasdoes not privilege verbalfacility unduly. The valueplaced ...
... cultures giveequal weight tovalour in war andeloquence in speech in assessing their chiefs. The Bella Coolans privilege fluent, witty talk, whilethedemocratic cultureof the Gbeyasdoes not privilege verbalfacility unduly. The valueplaced ...
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