Dramatic Discourse: Dialogue as Interaction in PlaysRoutledge, 2005 M06 20 - 340 páginas Whilst poetry and fiction have been subjected to extensive linguistic analysis, drama has long remained a neglected field for detailed study. Vimala Herman argues that drama should be of particular interest to linguists because of its form, dialogue and subsequent translation into performance. The subsequent interaction that occurs on stage is a rich and fruitful source of analysis and can be studied by using discourse methods that linguists employ for real-life interaction. Shakespeare, Pinter, Osborne, Beckett, Chekhov, and Shaw are just some of the dramatists whose material is drawn upon. Each chapter contains a theoretical section in which major concepts of each framework are explained before the relevance of the framework to dramatic discourse is analyzed and explored using textual examples. This book will be of interest to undergraduates and postgraduates studying in the areas of literary linguistics and stylistics, or anyone specialising in the relationship between the text and performance. |
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... situation isitselfa formofdrama, as Lyons (1977) following Buhler (1934) observed, whichthe category of 'person' in language reflects. The grammatical categoryof 'person' dependsuponthe notionof participantroles and upon ...
... situation isitselfa formofdrama, as Lyons (1977) following Buhler (1934) observed, whichthe category of 'person' in language reflects. The grammatical categoryof 'person' dependsuponthe notionof participantroles and upon ...
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... who responds as I addressing you...and so on.The deictic tie between addresser and target addressee—the I and you of the speech situation of dialogue— participating in the drama. The third person is negatively defined ...
... who responds as I addressing you...and so on.The deictic tie between addresser and target addressee—the I and you of the speech situation of dialogue— participating in the drama. The third person is negatively defined ...
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... situation of dialogue— ensures that facetoface encounter is presupposed by the form. The progressofdialogue over time is, consequently, dependent on the inputsfromboth poles of its structuring. Standard definitions oftheformin ...
... situation of dialogue— ensures that facetoface encounter is presupposed by the form. The progressofdialogue over time is, consequently, dependent on the inputsfromboth poles of its structuring. Standard definitions oftheformin ...
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Dialogue as Interaction in Plays Vimala Herman. 'persons' in the speech situation itself as Lyons (1977) has made clear. And as for the injunction that 'no one is to dominate completely', this is often honoured inthe breach. In mixedsex ...
Dialogue as Interaction in Plays Vimala Herman. 'persons' in the speech situation itself as Lyons (1977) has made clear. And as for the injunction that 'no one is to dominate completely', this is often honoured inthe breach. In mixedsex ...
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... situations inplays into patterns of feeling andexperience ofa kindthat may never befelt, known or encountered anywhere but in drama. Dramatic action and speech are thusbracketedout of social reality and put into quotation marks ...
... situations inplays into patterns of feeling andexperience ofa kindthat may never befelt, known or encountered anywhere but in drama. Dramatic action and speech are thusbracketedout of social reality and put into quotation marks ...
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