Dramatic Discourse: Dialogue as Interaction in PlaysRoutledge, 2005 M06 20 - 340 páginas Whilst poetry and fiction have been subjected to extensive linguistic analysis, drama has long remained a neglected field for detailed study. Vimala Herman argues that drama should be of particular interest to linguists because of its form, dialogue and subsequent translation into performance. The subsequent interaction that occurs on stage is a rich and fruitful source of analysis and can be studied by using discourse methods that linguists employ for real-life interaction. Shakespeare, Pinter, Osborne, Beckett, Chekhov, and Shaw are just some of the dramatists whose material is drawn upon. Each chapter contains a theoretical section in which major concepts of each framework are explained before the relevance of the framework to dramatic discourse is analyzed and explored using textual examples. This book will be of interest to undergraduates and postgraduates studying in the areas of literary linguistics and stylistics, or anyone specialising in the relationship between the text and performance. |
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... Utterances may be perfectly grammatical butmay be wholly inappropriate thingsto sayto specific others inacontext. The pressures on language in context are multiple. As communication, language needs to be sensitiveto a host ofcontextual ...
... Utterances may be perfectly grammatical butmay be wholly inappropriate thingsto sayto specific others inacontext. The pressures on language in context are multiple. As communication, language needs to be sensitiveto a host ofcontextual ...
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... amajor aspect of dialogic art in drama. The linguisticunitsofanalysis appropriate todialogue as interactional speech are utterances. The sentence is an abstract entity semantically complex as well as simple speech, fluency, ...
... amajor aspect of dialogic art in drama. The linguisticunitsofanalysis appropriate todialogue as interactional speech are utterances. The sentence is an abstract entity semantically complex as well as simple speech, fluency, ...
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... utterances. Utterances maybe liabletofalse starts,slips ofthe tongue, beelliptical, incomplete, etc.sothatit couldbe unclear as to which sentence analogue is being used. Utterancesdo notstand alone. They are generally issued and ...
... utterances. Utterances maybe liabletofalse starts,slips ofthe tongue, beelliptical, incomplete, etc.sothatit couldbe unclear as to which sentence analogue is being used. Utterancesdo notstand alone. They are generally issued and ...
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... Utterances are employed by speakers to others in spatiotemporal situations, for specific ends,and others respond as speakers inthe change of discourse role.Sets of reciprocal utterances arecuedin various ways as speechevent units ...
... Utterances are employed by speakers to others in spatiotemporal situations, for specific ends,and others respond as speakers inthe change of discourse role.Sets of reciprocal utterances arecuedin various ways as speechevent units ...
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... utterances, whether poetic or'naturalistic' or phatic, forinstance, or whether speechis fluent ordisfluent, and soon, but theseare only alimited set of the variables to betaken into account when dialogueis regarded as discourse. The ...
... utterances, whether poetic or'naturalistic' or phatic, forinstance, or whether speechis fluent ordisfluent, and soon, but theseare only alimited set of the variables to betaken into account when dialogueis regarded as discourse. The ...
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