Marlowe and the Popular Tradition: Innovation in the English Drama Before 1595Manchester University Press, 2002 - 246 páginas Rejecting the traditional stereotypes of Marlowe (spy, troublemaker, homosexual, atheist, university wit) this study considers him as a popular dramatist who inherited an audience with certain expectations and shared experiences. It explores his engagement with the traditions of the popular stage in the 1580s and early 1590s and offers a new approach to his major plays in terms of staging and audience response. This account of English drama in these important but largely neglected years challenges the narratives of change in late 16th century. It Discusses Marlowe's plays in relation to some 30 other playtexts, earlier and contemporary, including Shakespeare's early plays. Marlowe emerges not so much as a precursor of Shakespeare but as an innovator and catalyst of change, the playwright who exploited and transformed the traditional materials of popular drama. |
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Página 93
Innovation in the English Drama Before 1595 Ruth Lunney. CHAPTER 5 Framing the action London life In the late 1580s The Jew of Malta transformed theatrical experience by exploiting - and then dismantling - the framing rhetoric of the ...
Innovation in the English Drama Before 1595 Ruth Lunney. CHAPTER 5 Framing the action London life In the late 1580s The Jew of Malta transformed theatrical experience by exploiting - and then dismantling - the framing rhetoric of the ...
Página 111
... rhetoric . In the Jew , there is no one coherent or complete perspective offered to the spectators that they might adopt to make sense of the action . As several studies of the play suggest , the framing perspectives shift as well as ...
... rhetoric . In the Jew , there is no one coherent or complete perspective offered to the spectators that they might adopt to make sense of the action . As several studies of the play suggest , the framing perspectives shift as well as ...
Página 243
... framing rhetoric Preston , Thomas see Cambises productions , modern see modern productions Prologue see framing rhetoric , Tamburlaine Protestantism 127 , 157 , 194n.6 and visual signs 38-9 , 42-3 , 63 , 65 , 194n.5 see also ...
... framing rhetoric Preston , Thomas see Cambises productions , modern see modern productions Prologue see framing rhetoric , Tamburlaine Protestantism 127 , 157 , 194n.6 and visual signs 38-9 , 42-3 , 63 , 65 , 194n.5 see also ...
Contenido
Approaches and contexts | 14 |
Viewing the sign | 36 |
Lessons of history | 67 |
Derechos de autor | |
Otras 4 secciones no mostradas
Otras ediciones - Ver todas
Marlowe and the Popular Tradition: Innovation in the English Drama Before 1595 Ruth Lunney Vista previa limitada - 2002 |
Marlowe and the Popular Tradition: Innovation in the English Drama before 1595 Ruth Lunney Sin vista previa disponible - 2011 |
Términos y frases comunes
action Apius attention B-text Barabas Barabas's Bevington bond-signing Cambises Cambridge ceremony challenge Christopher Marlowe Clyomon and Clamydes commentary context conventional critical cultural debatable Doctor Faustus dramatic emblems dramatic rhetoric earlier plays early audiences Edward Edward II effect Elizabethan emblematic emotional English example exempla exemplum expectations exploit Faustus's figure on stage framing rhetoric Hattaway Henry Henry VI individual instances interpretation ironies Jew of Malta King Ladies of London late morality late sixteenth-century Lightborn Machiavellian Marlowe's plays medieval Mephistopheles Moral Plays narrative offers opposed voices particular performance perspectives play's players playgoers playhouse playtext playworld playwright Prologue psychomachia Queen's Men recognise Renaissance Drama response Revels Plays Richard Richard II scene sense Shakespeare shift sixteenth Spanish Tragedy spectators speech studies suggests Tamburlaine plays theatre theatrical experience theatrical space Three Ladies Three Lords tion Titus Andronicus traditional rhetoric Troublesome Reign University Press Vice visual signs