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Página 22
Ashbery , John . Self - Portrait in a Convex Mirror . Manchester : Carcanet , 1977 . 2 . 3 . 4 . 5 . 6 . 7 . Bloom , Harold . " The Breaking of Form " in Deconstruction and Criticism . London : RKP , 1979 . The Waste Land : A Facsimile ...
Ashbery , John . Self - Portrait in a Convex Mirror . Manchester : Carcanet , 1977 . 2 . 3 . 4 . 5 . 6 . 7 . Bloom , Harold . " The Breaking of Form " in Deconstruction and Criticism . London : RKP , 1979 . The Waste Land : A Facsimile ...
Página 105
In ( 7 * ) the relation between John and Bill is indicated , not by syntax , but by a single word , killed . It is this that tells us what relation holds between John and Bill it is that of killing . We do not know , however , which way ...
In ( 7 * ) the relation between John and Bill is indicated , not by syntax , but by a single word , killed . It is this that tells us what relation holds between John and Bill it is that of killing . We do not know , however , which way ...
Página 169
and author , John ( " Jack " ) Fiori , " Being American was part of my uniqueness " ( SJ , 103 ) . But he has a calling , too , both a weakness and a strength , for he had " always considered fiction to be his chief aim " ( SJ , 105 ) .
and author , John ( " Jack " ) Fiori , " Being American was part of my uniqueness " ( SJ , 103 ) . But he has a calling , too , both a weakness and a strength , for he had " always considered fiction to be his chief aim " ( SJ , 105 ) .
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Contenido
Narcissism and the Limits of the Lyric Self | 3 |
The Case | 25 |
For our Selves we are Silent | 37 |
Derechos de autor | |
Otras 13 secciones no mostradas
Otras ediciones - Ver todas
Tropic Crucible: Self and Theory in Language and Literature Ranjit Chatterjee,Colin Nicholson Vista previa limitada - 1984 |
Tropic Crucible: Self and Theory in Language and Literature Ranjit Chatterjee,Colin Nicholson Vista de fragmentos - 1984 |
Términos y frases comunes
analysis appears becomes begins believe British called characters clause concept concerned context Cowper created critical culture Dream effect elements English example existence experience expression fact fiction final function give given hand hearer human hymn imaginative important India individual initial interest interpretation Jack John Jones language less lines linguistic literary literature live London look meaning metaphor mind nature never novel offered once original parable perhaps person philosopher play poem poet position possible present provides question reader reading reference reflection relation seems seen segments semantic sense sentence signifier Singapore skunks social sound speak speaker spirit stanza story structure suggests syllables symbolism syntactic syntax theme theory thought tradition truth turn understanding University utterance verse writing