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Página 13
His martyrdom is narrated in the third person by a first person narrator ( “ I ” ) addressing a second person auditor or auditors ( " you " ) . The narrative is , moreover , in the past tense ( “ He walked once " ) ; all the present ...
His martyrdom is narrated in the third person by a first person narrator ( “ I ” ) addressing a second person auditor or auditors ( " you " ) . The narrative is , moreover , in the past tense ( “ He walked once " ) ; all the present ...
Página 46
Single person dialogue ( whether the utterances are audible or not ) seems to occur . But the motive for such speaking is different from the normal motive ( see ( 9 ) p . 46 ) and the difference is precisely the absence of the Other .
Single person dialogue ( whether the utterances are audible or not ) seems to occur . But the motive for such speaking is different from the normal motive ( see ( 9 ) p . 46 ) and the difference is precisely the absence of the Other .
Página 49
It was noted above under ( 8 ) that the central characteristic of single person dialogues is an intention , by that person , to change his own belief . The practice of the " profession " of academic is one in which this communicative ...
It was noted above under ( 8 ) that the central characteristic of single person dialogues is an intention , by that person , to change his own belief . The practice of the " profession " of academic is one in which this communicative ...
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Contenido
Narcissism and the Limits of the Lyric Self | 3 |
The Case | 25 |
For our Selves we are Silent | 37 |
Derechos de autor | |
Otras 13 secciones no mostradas
Otras ediciones - Ver todas
Tropic Crucible: Self and Theory in Language and Literature Ranjit Chatterjee,Colin Nicholson Vista previa limitada - 1984 |
Tropic Crucible: Self and Theory in Language and Literature Ranjit Chatterjee,Colin Nicholson Vista de fragmentos - 1984 |
Términos y frases comunes
analysis appears becomes begins believe British called characters clause concept concerned context Cowper created critical culture Dream effect elements English example existence experience expression fact fiction final function give given hand hearer human hymn imaginative important India individual initial interest interpretation Jack John Jones language less lines linguistic literary literature live London look meaning metaphor mind nature never novel offered once original parable perhaps person philosopher play poem poet position possible present provides question reader reading reference reflection relation seems seen segments semantic sense sentence signifier Singapore skunks social sound speak speaker spirit stanza story structure suggests syllables symbolism syntactic syntax theme theory thought tradition truth turn understanding University utterance verse writing