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Página 64
The dramatic irony of the scene consists mainly in Andreas ' s failure to identify
the literal helmweard ( Andreas 359 ) with the historical and divine æðelinga
helm ( 277 ) ; he therefore fails to perceive the typological and anagogical reality
of ...
The dramatic irony of the scene consists mainly in Andreas ' s failure to identify
the literal helmweard ( Andreas 359 ) with the historical and divine æðelinga
helm ( 277 ) ; he therefore fails to perceive the typological and anagogical reality
of ...
Página 90
present at the corresponding stage of AASS , it does not culminate in the
dramatic antagonism of lines 657b - 65 . In the Latin version Juliana does ,
however , refer to her struggle ( agon ) with the devil ( inimicus ) in terms which
admit of both ...
present at the corresponding stage of AASS , it does not culminate in the
dramatic antagonism of lines 657b - 65 . In the Latin version Juliana does ,
however , refer to her struggle ( agon ) with the devil ( inimicus ) in terms which
admit of both ...
Página 191
... should be as frequently qualified by sapiential attributes as the divine
helmsman is in the sea - voyage section of the poem ( to which God ' s sapiential
attributes are confined ) calls for closer scrutiny as a potential source of dramatic
irony .
... should be as frequently qualified by sapiential attributes as the divine
helmsman is in the sea - voyage section of the poem ( to which God ' s sapiential
attributes are confined ) calls for closer scrutiny as a potential source of dramatic
irony .
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Contenido
Preface | 9 |
200 | 38 |
polarization through miles Christi | 85 |
Derechos de autor | |
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Términos y frases comunes
AASS acta affirmation alignment analogues analysis Andreas Andreas's Anglo-Saxon antagonists apostles associated attributed audience authorial body CALIFORNIA Casanatensis chapter characterized Christ Christian clause collocation common connexion constitute contains contrast conversion course Cross Cynewulf's death described designate devil diabolic diametrical didactic disciple divine dramatis personae effected Elene episode epithets eschatological evocation evoked example expressions extended fact Felix figures Finally followers formulas frequently function further God's gradational Guthlac hagiographical hand hell historical imagery insofar Invention Jews Judas Juliana Latin legend light lines litotes Mermedonians miracles mood motif narration narrative object occasion OE prose Old English opposition paradise parallel passage passio pattern persecutors physical plot-structure poem poem's poet poet's polarization progression protagonist referred relationship respectively Saint's sapiential seems separation soul speech spiritual stage structural suffering suggest temptation tion torture traditional typological UNIVERSITY verbal vita voice whereas wisdom þæt