day, July 2, 1712. No, 420, after a few faint Efforts, is immediately at a stand, and Wednes finds her self swallowed up in the Immensity of the Void that surrounds it: Our Reason can pursue a Particle of Matter through an infinite variety of Divisions, but the Fancy soon loses sight of it, and feels in it self a kind of Chasm, that wants to be filled with Matter of a more sensible Bulk, We can neither widen, nor contract the Faculty to the Dimensions of either Extreme: The Object is too big for our Capacity, when we would comprehend the Circumference of a World, and dwindles into nothing, when we endeavour after the Idea of an Atom, It is possible this Defect of Imagination may not be in the Soul it self, but as it acts in Conjunction with the Body, Perhaps there may not be room in the Brain for such a variety of Impressions, or the Animal Spirits may be incapable of figuring them in such a manner, as is neces sary to excite so very large or very minute Ideas, How ever it be, we may well suppose that Beings of a higher Nature very much excel us in this respect, as it is probable the Soul of Man will be infinitely more perfect hereafter in this Faculty, as well as in all the rest; insomuch that, perhaps, the Imagination will be able to keep Pace with the Understanding, and to form in it self distinct Ideas of gof all the different Modes and Quantities of Space, No. 421, Ignotis errare locis, ignota videre Thursday, July 3. Flumina gaudebat; studio minuente laborem.—Ovid. TH HE Pleasures of the Imagination are not wholly confined to such particular Authors as are conversant in material Objects, but are often to be met with among the Polite Masters of Morality, Criticism, and other Speculations abstracted from Matter, who, tho' they do not directly treat of the visible Parts of Nature, often draw from them their Similitudes, Metaphors, and Allegories. By these Allusions a Truth in the Understanding is as it were reflected by the Imagination; we are able to see something like Colour and Shape in a Notion, and to discover a Scheme of Thoughts traced out upon Matter, And And here the Mind receives a great deal of Satisfaction, No. 421, and has two of its Faculties gratified at the same time, Thursday, while the Fancy is busie in copying after the Understand. July 3, ing, and transcribing Ideas out of the Intellectual World into the Material, The Great Art of a Writer shews it self in the Choice of pleasing Allusions, which are generally to be taken from the great or beautiful Works of Art or Nature; for though whatever is New or Uncommon is apt to delight the Imagination, the chief Design of an Allusion being to illustrate and explain the Passages of an Author, it should be always borrowed from what is more known and common, than the Passages which are to be explained. Allegories, when well chosen, are like so many Tracks of Light in a Discourse, that make every thing about them clear and beautiful. A noble Metaphor, when it is placed to an Advantage, casts a kind of Glory round it, and darts a Lustre through a whole Sentence; These different Kinds of Allusion are but so many different Manners of Similitude, and, that they may please the Imagination, the Likeness ought to be very exact, or very agreeable, as we love to see a Picture where the Resemblance is just, or the Posture and Air graceful. But we often find eminent Writers very faulty in this respect; great Scholars are apt to fetch their Comparisons and Allusions from the Sciences in which they are most conversant, so that a Man may see the Compass of their Learning in a Treatise on the most indifferent Subject. I have read a Discourse upon Love, which none but a profound Chymist could understand, and have heard many a Sermon that should only have been preached before a Congregation of Cartesians. On the contrary, your Men of Business usually have recourse to such Instances as are too mean and familiar. They are for drawing the Reader into a Game of Chess or Tennis, or for leading him from Shop to Shop, in the Cant of particular Trades and Employments. It is certain, there may be found an infinite Variety of very agreeable Allusions in both these kinds, but, for the generality, the most entertaining ones lie in the Works of Nature, which are obvious to all Capacities, and more delightful than what is to be found in Arts and Sciences, 1712. No. 421. July 3, 1712, It is this Talent of affecting the Imagination, that gives Thursday, an Embellishment to good Sense, and makes one Man's Compositions more agreeable than another's. It setts off all Writings in general, but is the very Life and highest Perfection of Poetry, Where it shines in an Eminent Degree, it has preserved several Poems for many Ages, that have nothing else to recommend them; and where all the other Beauties are present, the Work appears dry and insipid, if this single one be wanting. It has some thing in it like Creation; It bestows a kind of Existence, and draws up to the Reader's View several Objects which are not to be found in Being, It makes Additions to Nature, and gives a greater Variety to God's Works, In a word, it is able to beautifie and adorn the most illustrious Scenes in the Universe, or to fill the Mind with more ; glorious Shows and Apparitions, than can be found in any Part of it. We have now discovered the several Originals of those Pleasures that gratify the Fancy; and here, perhaps, it would not be very difficult to cast under their proper Heads those contrary Objects, which are apt to fill it with Distaste and Terrour; for the Imagination is as liable to Pain as Pleasure, When the Brain is hurt by any Accident, or the Mind disordered by Dreams or Sickness, the Fancy is over-run with wild dismal Ideas, and terrified with a thousand hideous Monsters of its own framing. Eumenidum veluti demens videt agmina Pentheus, There is not a Sight in Nature so mortifying as that of a Distracted Person, when his Imagination is troubled, and his whole Soul disordered and confused. Babylon in Ruins is not so melancholy a Spectacle. But to quit so disagreeable a Subject, I shall only consider by way of Conclusion, what an infinite Advantage this Faculty gives an Almighty Being over the Soul of Man, and how great a measure of Happiness or Misery we are capable of receiving from the Imagination only, We We have already seen the Influence that one Man has No: 421. over the Fancy of another, and with what Ease he Thursday, conveys into it a Variety of Imagery; how great a July 3, 1712. Power then may we suppose lodged in him, who knows all the ways of affecting the Imagination, who can infuse what Ideas he pleases, and fill those Ideas with Terrour and Delight to what Degree he thinks fit? He can excite Images in the Mind without the help of Words, and make Scenes rise up before us and seem present to the Eye, without the Assistance of Bodies or Exterior Objects. He can transport the Imagination with such beautiful and glorious Visions, as cannot possibly enter into our present Conceptions, or haunt it with such ghastly Spectres and Apparitions, as would make us hope for Annihiliation, and think Existence no better than a Curse, In short, he can so exquisitely ravish or torture the Soul through this single Faculty, as might suffice to make the whole Heaven or Hell of any finite Being, This Essay on the Pleasures of the Imagination having been published in separate Papers, I shall conclude it with a Table of the principal Contents of each Paper, The CONTENTS. PAPER L The Perfection of our Sight above our other Senses. The Pleasures of the Imagination arise originally from Sight. The Pleasures of the Imagination divided under two Heads. The Pleasures of the Imagination in some Respects equal to those of the_Understanding. The Extent of the Pleasures of the Imagination. The Ad vantages a Man receives from a Relish of these Pleasures. In what Respect they are preferable to those of the Understanding. PAPER IL Three Sources of all the Pleasures of the Imagination, in our Survey of outward Objects. How what is Great pleases the Imagination. How what is New pleases the No. 421. the Imagination. How what is Beautiful in our own Thursday. Species, pleases the Imagination. How what is Beautiful July 3, 1712, in general pleases the Imagination. What other Acci dental Causes may contribute to the heightning of these Pleasures. PAPER III Why the Necessary Cause of our being pleased with what is Great, New, or Beautiful, unknown. Why the Final Cause more known and more useful. The Final Cause of our being pleased with what is Great. The Final Cause of our being pleased with what is New, The Final Cause of our being pleased with what is Beautiful in our own Species, The Final Cause of our being pleased with what is Beautiful in general. PAPER IV. The Works of Nature more pleasant to the Imagina tion than those of Art, The Works of Nature still more pleasant, the more they resemble those of Art. The Works of Art more pleasant, the more they resemble those of Nature. Our English Plantations and Gardens considered in the foregoing Light. PAPER V. Great Of Architecture as it affects the Imagination. ness in Architecture relates either to the Bulk or `to the Manner, Greatness of Bulk in the Ancient Oriental Buildings, The Ancient Accounts of these Buildings confirm'd, 1. From the Advantages, for raising such Works, in the first Ages of the World and in the Eastern Climates: 2. From several of them which are still Extant. Instances how Greatness of Manner affects the Imagination. A French Author's Observa tion on this Subject. Why Concave and Convex Figures give a Greatness of Manner to Works of Architecture. Every thing that pleases the Imagination in Archí tecture is either Great, Beautiful, or New, PAPER |