Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen40Gale Research Company, 1984 |
Dentro del libro
Resultados 1-3 de 76
Página 29
... speech to tell Troi- lus's tale of feminine treachery rather than her own story of male violence . Discursive strategies recuper- ate the subversive potential of the speech , turning Cressida's analysis of male desire into a source of ...
... speech to tell Troi- lus's tale of feminine treachery rather than her own story of male violence . Discursive strategies recuper- ate the subversive potential of the speech , turning Cressida's analysis of male desire into a source of ...
Página 179
... speech , are above all meant to justify his thirst for revenge . His allega- tions that Antonio has disgraced him , laughed at him , and scorned his nation only because he is a Jew are lopsided . He is abused chiefly because he is a ...
... speech , are above all meant to justify his thirst for revenge . His allega- tions that Antonio has disgraced him , laughed at him , and scorned his nation only because he is a Jew are lopsided . He is abused chiefly because he is a ...
Página 381
... speech may come across as a self - pitying whine , per- haps even a devious attempt to win Proteus by evoking his guilt . But the speech seems too forceful for such a delivery and requires more energy than such a weak- ened Julia might ...
... speech may come across as a self - pitying whine , per- haps even a devious attempt to win Proteus by evoking his guilt . But the speech seems too forceful for such a delivery and requires more energy than such a weak- ened Julia might ...
Contenido
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Derechos de autor | |
Otras 1 secciones no mostradas
Otras ediciones - Ver todas
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young