Romeo and JulietSignet Classic, 1990 - 238 páginas "I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: |
Dentro del libro
Resultados 1-3 de 16
Página 211
... comedy as he could get in ” ( Shakespeare's Tragedies of Love [ London , 1970 ] , p . 29 ) , to Harry Levin's well - argued contention that the play invokes the artifices of romantic comedy in order to transcend them ( " Form and ...
... comedy as he could get in ” ( Shakespeare's Tragedies of Love [ London , 1970 ] , p . 29 ) , to Harry Levin's well - argued contention that the play invokes the artifices of romantic comedy in order to transcend them ( " Form and ...
Página 212
... comedy to account in his apprenticeship as a tragedian . We have seen that comedy is based on a principle of " evitability . " It endorses opportunistic shifts and realistic accommodations as means to new social health . It renders ...
... comedy to account in his apprenticeship as a tragedian . We have seen that comedy is based on a principle of " evitability . " It endorses opportunistic shifts and realistic accommodations as means to new social health . It renders ...
Página 213
... Comedy is organized like a game . The ascendancy goes to the clever ones who can take advantage of sudden open- ings , contrive strategies , and adapt flexibly to an unex- pected move from the other side . But luck and instinct win ...
... Comedy is organized like a game . The ascendancy goes to the clever ones who can take advantage of sudden open- ings , contrive strategies , and adapt flexibly to an unex- pected move from the other side . But luck and instinct win ...
Contenido
PREFATORY REMARKS | vii |
INTRODUCTION | xxiii |
Romeo and Juliet | 41 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
actors art thou Balthasar banished Benvolio brawl characters comedy comic dead dear death dost doth dramatic dream Elizabethan Enter Juliet Enter Romeo Exeunt Exit eyes fair Farewell fate father fear feud Friar Lawrence gentleman give gone grave Gregory hath heart heaven hence holy killed kiss Lady Capulet lines lives lord love's lovers Macbeth Madam maid Mantua marriage married Mercutio Midsummer Night's Dream Montague Musician night Nurse old Capulet Othello passion Peter play play's poison Prince Prince Escalus puns Q2 omits quarrel Quarto Richard II Romeo and Juliet Rosaline Sampson scene Servingman Shake Shakespeare slain speak speech stage directions stand stay Susan Hill sweet tears tell theater thee thou art thou hast thou wilt tion Titus Andronicus tomb tonight tragedy tragic Tybalt Verona villain wife William Shakespeare word young