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no schoolmaster, of all the various grammars now taught in schools about town, I would recommend only the old common one; I have forgot whether Lilly's, or an emendation of him. The others may be improvements; but such improvements seem to me only mere grammatical niceties, no way influencing the learner, but perhaps loading him with trifling subtleties, which at a proper age he must be at some pains to forget.

Whatever pains a master may take to make the learning of the languages agreeable to his pupil, he may depend upon it, it will be at first extremely unpleasant. The rudiments of every language, therefore, must be given as a task, not as an amusement. Attempting to deceive children into instruction of this kind, is only deceiving ourselves; and I know no passion capable of conquering a child's natural laziness but fear. Solomon has said it before me ; nor is there any more certain, though perhaps more disagreeable truth, than the proverb in verse, too well known to repeat on the present occasion. It is very probable that parents are told of some masters who never use the rod, and consequently are thought the properest instructors for their children; but though tenderness is a requisite quality in an instructor, yet there is too often the truest tenderness in welltimed correction.

Some have justly observed, that all passion should be banished on this terrible occasion; but, I know not how, there is a frailty attending human nature, that few masters are able to keep their temper whilst they correct. I knew a goodnatured man, who was sensible of his own weakness in this respect, and consequently had recourse to the following expedient to prevent his passions from being engaged, yet at the same time administer justice with impartiality. Whenever any of his pupils committed a fault, he summoned a jury of his peers,-I mean of the boys of his own or the next classes to him; his accusers stood forth; he had a liberty of pleading in his own defence, and one or two more had a liberty of pleading against him: when found guilty by the panel, he was consigned to the footman who attended in the house, who had previous orders to punish, but with lenity. By this means the master took off the odium of punishment from himself; and the footman, between whom and the boys there could not be even the slightest intimacy, was placed in such a light as to be shunned by everyboy in the school *.

And now I have gone thus far, perhaps you will think me some pedagogue, willing, by a well-timed puff, to increase the reputation of his own school; but such not the case. The regard I have for society, for those tender minds who are the objects of the present essay, is the only motive I have for offering those thoughts, calculated not to surprise by their novelty, or the elegance of composition, but merely to remedy some defects which have crept into the present system of school education. If this letter should be inserted, perhaps I may trouble you in my next with some thoughts upon a university education, not with an intent to exhaust the subject, but to amend some few abuses. I am, &c.

*This dissertation was thus far introduced into the volume of Essays, afterwards published by Dr. Goldsmith, with the following observation:-"This treatise was pub

ON THE INSTABILITY OF WORLDLY GRANDEUR.

AN alehouse keeper near Islington, who had long lived at the sign of the French King, upon the commencement of the last war with France pulled down his old sign, and put up the Queen of Hungary. Under the influence of her red face and golden sceptre, he continued to sell ale till she was no longer the favourite of his customers; he changed her, therefore, some time ago, for the King of Prussia, who may probably be changed in turn for the next great man that shall be set up for vulgar admiration.

Our publican in this imitates the great exactly, who deal out their figures, one after the other, to the gazing crowd beneath them. When we have sufficiently wondered at one, that is taken in, and another exhibited in its room, which seldom holds its station long, for the mob are ever pleased with variety.

I must own I have such an indifferent opinion of the vulgar, that I am ever led to suspect that merit which raises their shout; at least I am certain to find those great, and sometimes good men, who find satisfaction in such acclamations, made worse by it; and history has too frequently taught me, that the head which has grown this day giddy with the roar of the million, has the very next been fixed upon a pole.

As Alexander VI. was entering a little town in the neighbourhood of Rome, which had been just evacuated by the enemy, he perceived the townsmen busy in the market-place in pulling down from a gibbet a figure, which had been designed to represent himself. There were also some knocking down a neighbouring statue of one of the Orsini family, with whom he was at war, in order to put Alexander's effigy, when taken down, in its place. It is possible a man who knew less of the world would have condemned the adulation of those barefaced flatterers; but Alexander seemed pleased at their zeal, and, turning to Borgia his son, said with a smile, Vides, mi fili, quam leve discrimen patibulum inter et statuam. see, my son, the small difference between a gibbet and a statue." If the great could be taught any lesson, this might serve to teach them upon how weak a foundation their glory stands, which is built upon popular applause; for as such praise what seems like merit, they as quickly condemn what has only the appearance of guilt.

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Popular glory is a perfect coquette: her lovers must toil, feel every inquietude, indulge every caprice, and perhaps at last be jilted into the bargain. True glory, on the other hand, resembles a woman of sense: her admirers must play no tricks; they feel no great anxiety, for they are sure in the end of being rewarded in proportion to their merit. When Swift used to appear in public, he generally had the mob shouting in his train. "Pox take these fools!" he would say, "how much joy might all this bawling give my Lord Mayor !"

We have seen those virtues which have, while living, retired from the public eye, generally transmitted to posterity as the truest objects of lished before Rousseau's Emilius: if there be a similitude in any one instance, it is hoped the author of the present essay will not be termed a plagiarist."

admiration and praise. Perhaps the character of the late Duke of Marlborough may one day be set up, even above that of his more talked-of predecessor; since an assemblage of all the mild and amiable virtues is far superior to those vulgarly called the great ones. I must be pardoned for this short tribute to the memory of a man who, while living, would as much detest to receive anything that wore the appearance of flattery, as I should to offer it.

I know not how to turn so trite a subject out of the beaten road of common-place, except by illustrating it, rather by the assistance of my memory than my judgment, and instead of making reflections by telling a story.

A Chinese, who had long studied the works of Confucius, who knew the characters of fourteen thousand words, and could read a great part of every book that came in his way, once took it into his head to travel into Europe, and observe the customs of a people whom he thought not very much inferior even to his own countrymen, in the arts of refining upon every pleasure. Upon his arrival at Amsterdam, his passion for letters naturally led him to a bookseller's shop: and, as he could speak a little Dutch, he civilly asked the bookseller for the works of the immortal Ilixofou. The bookseller assured him he had never heard the book mentioned before. "What! have you never heard of that immortal poet ?" returned the other, much surprised; "that light of the eyes, that favourite of kings, that rose of perfection! I suppose you know nothing of the immortal Fipsihihi, second cousin to the moon?"

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Nothing at all, indeed, sir," returned the other. -"Alas!" cries our traveller, " to what purpose, then, has one of these fasted to death, and the other offered himself up as a sacrifice to the Tartarean enemy, to gain a renown which has never travelled beyond the precincts of China !"

There is scarcely a village in Europe, and not one university, that is not thus furnished with its little great men. The head of a petty corporation, who opposes the designs of a prince who would tyrannically force his subjects to save their best clothes for Sundays—the puny pedant who finds one undiscovered property in the polype, describes an unheeded process in the skeleton of a mole, and whose mind, like his microscope, perceives nature only in detail the rhymer who makes smooth verses, and paints to our imagination when he should only speak to our hearts, all equally fancy themselves walking forward to immortality, and desire the crowd behind them to look on. The crowd takes them at their word. Patriot, philosopher, and poet, are shouted in their train. Where was there ever so much merit seen? no times so important as our own! ages yet unborn shall gaze with wonder and applause! To such music the important pigmy moves forward, bustling and swelling, and aptly compared to a puddle in a storm.

I have lived to see generals, who once had crowds hallooing after them wherever they went, who were bepraised by newspapers and magazines, those echoes of the voice of the vulgar, and yet they have long sunk into merited obscurity, with scarcely even an epitaph left to flatter. A few years ago, the herring-fishery employed all Grub Street; it was the topic in every coffee-house, and

the burden of every ballad. We were to drag up oceans of gold from the bottom of the sea; we were to supply all Europe with herrings upon our own terms. At present we hear no more of all this. We have fished up very little gold that I can learn ; nor do we furnish the world with herrings as was expected. Let us wait but a few years longer, and we shall find all our expectations a herring-fishery.

SOME ACCOUNT OF THE ACADEMIES OF ITALY.

THERE is not, perhaps, a country in Europe, in which learning is so fast upon the decline as in Italy; yet not one in which there are such a number of academies instituted for its support. There is scarcely a considerable town in the whole country, which has not one or two institutions of this nature, where the learned, as they are pleased to call themselves, meet to harangue, to compliment each other, and praise the utility of their institution.

Jarchius has taken the trouble to give us a list of those clubs or academies, which amount to five hundred and fifty, each distinguished by somewhat whimsical in the name. The academies of Bologna, for instance, are divided into the Abbandonati, the Ausiosi, Ociosio, Arcadi, Confusi, Dubbiosi, &c. There are few of these who have not published their transactions, and scarcely a member who is not looked upon as the most famous man in the world, at home.

Of all those societies, I know of none whose works are worth being known out of the precincts of the city in which they were written, except the Cicalata Academia (or, as we might express it, the Tickling Society) of Florence. I have just now before me a manuscript oration, spoken by the late Tomaso Crudeli at that society, which will at once serve to give a better picture of the manner in which men of wit amuse themselves in that country, than anything I could say upon the occasion. The oration is this:

"The younger the nymph, my dear companions, the more happy the lover. From fourteen to seventeen you are sure of finding love for love; from seventeen to twenty-one, there is always a mixture of interest and affection. But when that period is passed, no longer expect to receive, but to buy-no longer expect a nymph who gives, but who sells, her favours. At this age, every glance is taught its duty; not a look, not a sigh without design; the lady, like a skilful warrior, aims at the heart of another, while she shields her own from danger.

"On the contrary, at fifteen you may expect nothing but simplicity, innocence, and nature. The passions are then sincere; the soul seems seated in the lips; the dear object feels present happiness, without being anxious for the future; her eyes brighten if her lover approaches; her smiles are borrowed from the Graces, and her very mistakes seem to complete her desires.

"Lucretia was just sixteen. The rose and lily took possession of her face, and her bosom, by its hue and its coldness, seemed covered with snow. So much beauty and so much virtue seldom want admirers. Orlandino, a youth of sense and merit, was among the number. He had long languished for an opportunity of declaring his passion, when Cupid, as if willing to indulge his happiness,

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brought the charming young couple by mere accident to an arbour, where every prying eye but love was absent. Orlandino talked of the sincerity of his passion, and mixed flattery with his addresses; but it was all in vain. The nymph was pre-engaged, and had long devoted to Heaven those charms for which he sued. My dear Orlandino,' said she, you know I have been long dedicated to St. Catherine, and to her belongs all that lies below my girdle; all that is above, you may freely possess, but farther I cannot, must not, comply. The vow is passed; I wish it were undone, but now it is impossible.' You may conceive, my companions, the embarrassment our young lovers felt upon this occasion. They kneeled to St. Catherine, and though both despaired, both implored her assistance. tutelar saint was entreated to show some expedient, by which both might continue to love, and yet both be happy. Their petition was sincere. St. Catherine was touched with compassion; for lo, a miracle! Lucretia's girdle unloosed, as if without hands; and though before bound round her middle, fell spontaneously down to her feet, and gave Orlandino the possession of all those beauties which lay above it."

Their

No. VII.-SATURDAY, NOVEMBER 17, 1759.
OF ELOQUENCE.

Of all kinds of success, that of an orator is the most pleasing. Upon other occasions, the applause we deserve is conferred in our absence, and we are insensible of the pleasure we have given; but in eloquence, the victory and the triumph are inseparable. We read our own glory in the face of every spectator; the audience is moved; the antagonist is defeated; and the whole circle bursts into unsolicited applause.

The rewards which attend excellence in this way are so pleasing, that numbers have written professed treatises to teach us the art; schools have been established with no other intent; rhetoric has taken place among the institutions; and pedants have ranged under proper heads, and distinguished with long learned names, some of the strokes of nature, or of passion, which orators have used. I say only some; for a folio volume could not contain all the figures which have been used by the truly eloquent; and scarcely a good speaker or writer, but makes use of some that are peculiar

or new.

Eloquence has preceded the rules of rhetoric, as languages have been formed before grammar. Nature renders men eloquent in great interests, or great passions. He that is sensibly touched, sees things with a very different eye from the rest of mankind. All nature to him becomes an object of comparison and metaphor, without attending to it; he throws life into all, and inspires his audience with a part of his own enthusiasm.

It has been remarked, that the lower parts of mankind generally express themselves most figuratively, and that tropes are found in the most ordinary forms of conversation. Thus, in every language the heart burns; the courage is roused; the eyes sparkle; the spirits are cast down; passion inflames, pride swells, and pity sinks the soul. Nature everywhere speaks in those strong

images, which, from their frequency, pass unnoticed.

Nature it is which inspires those rapturous enthusiasms, those irresistible turns; a strong passion, a pressing danger, calls up all the imagination, and gives the orator irresistible force. Thus a captain of the first caliphs, seeing his soldiers fly, cried out, "Whither do you run? the enemy are not there! You have been told that the caliph is dead; but God is still living. He regards the brave, and will reward the courageous. Advance!" A man, therefore, may be called eloquent, who transfers the passion or sentiment with which he is moved himself, into the breast of another; and this definition appears the more just, as it comprehends the graces of silence and of action. An intimate persuasion of the truth to be proved, is the sentiment and passion to be transferred; and who effects this, is truly possessed of the talent of eloquence.

I have called eloquence a talent, and not an art, as so many rhetoricians have done, as art is acquired by exercise and study, and eloquence is the gi.t of nature. Rules will never make either a work or a discourse eloquent; they only serve to prevent faults, but not to introduce beauties; to prevent those passages which are truly eloquent and dictated by nature, from being blended with others which might disgust, or at least abate, our passion.

What we clearly conceive, says Boileau, we can clearly express. I may add, that what is felt with emotion is expressed also with the same movements; the words arise as readily to paint our emotions as to express our thoughts with perspicuity. The cool care an orator takes to express passions which he does not feel, only prevents his rising into that passion he would seem to feel. In a word, to feel your subject thoroughly, and to speak without fear, are the only rules of eloquence, properly so called, which I can offer. Examine a writer of genius on the most beautiful parts of his work, and he will always assure you, that such passages are generally those which have given him the least trouble, for they came as if by inspiration. To pretend that cold and didactic precepts will make a man eloquent, is only to prove that he is incapable of eloquence.

But, as in being perspicuous it is necessary to have a full idea of the subject, so in being eloquent it is not sufficient, if I may so express it, to feel by halves. The orator should be strongly impressed, which is generally the effect of a fine and exquisite sensibility, and not that transient and superficial emotion which he excites in the greatest part of his audience. It is even impossible to affect the hearers in any great degree without being affected ourselves. In vain it will be objected, that many writers have had the art to inspire their readers with a passion for virtue, without being virtuous themselves, since it may be answered, that sentiments of virtue filled their minds at the time they were writing. They felt the inspiration strongly, while they praised justice, generosity, or good nature; but, unhappily for them, these passions might have been discontinued, when they laid down the pen. In vain will it be objected again, that we can move without being moved, as we can convince without being convinced. It is much easier to deceive our reason

than ourselves: a trifling defect in reasoning may be overseen, and lead a man astray, for it requires reason and time to detect the falsehood; but our passions are not easily imposed upon, our eyes, our ears, and every sense, are watchful to detect the imposture.

No discourse can be eloquent that does not elevate the mind. Pathetic eloquence, it is true, has for its only object to affect; but I appeal to men of sensibility, whether their pathetic feelings are not accompanied with some degree of elevation. We may then call eloquence and sublimity the same thing, since it is impossible to be one without feeling the other. Hence it follows, that we may be eloquent in any language, since no language refuses to paint those sentiments with which we are thoroughly impressed. What is usually called sublimity of style, seems to be only an error. Eloquence is not in the words, but in the subject; and in great concerns, the more simply anything is expressed, it is generally the more sublime. True eloquence does not consist, as the rhetoricians assure us, in saying great things in a sublime style, but in a simple style; for there is, properly speaking, no such thing as a sublime style; the sublimity lies only in the things; and when they are not so, the language may be turgid, affected, metaphorical,-but not affecting.

What can be more simply expressed than the following extract from a celebrated preacher, and yet what was ever more sublime? Speaking of the small number of the elect, he breaks out thus among his audience :-" Let me suppose that this was the last hour of us all-that the heavens were opening over our heads-that time was passed, and eternity begun-that Jesus Christ in all his glory, that man of sorrows, in all his glory, appeared on the tribunal, and that we were assembled here to receive our final decree of life or death eternal ! Let me ask, impressed with terror like you, and not separating my lot from yours, but putting myself in the same situation in which we must all one day appear before God, our judge, let me ask, if Jesus Christ should now appear to make the terrible separation of the just from the unjust, do you think the greatest number would be saved? Do you think the number of the elect would even be equal to that of the sinners? Do you think, if all our works were examined with justice, would he find ten just persons in this great assembly? Monsters of ingratitude! would he find one?" Such passages as these are sublime in every language. The expression may be less speaking, or more indistinct, but the greatness of the idea still remains. In a word, we may be eloquent in every language and in every style, since elocution is only an assistant, but not a constituter of eloquence.

Of what use, then, will it be said, are all the precepts given us upon this head both by the ancients and moderns? I answer, that they cannot make us eloquent, but they will certainly prevent us from becoming ridiculous. They can seldom procure a single beauty, but they may banish a thousand faults. The true method of an orator is not to attempt always to move, always to affect, to be continually sublime, but at proper intervals to give rest both to his own and the passions of his audience. In these periods of relaxation, or

of preparation rather, rules may teach him to avoid anything low, trivial, or disgusting. Thus criticism, properly speaking, is intended not to assist those parts which are sublime, but those which are naturally mean and humble, which are composed with coolness and caution, and where the orator rather endeavours not to offend, than attempts to please.

I have hitherto insisted more strenuously on that eloquence which speaks to the passions, as it is a species of oratory almost unknown in England. At the bar it is quite discontinued, and I think with justice. In the senate it is used but sparingly, as the orator speaks to enlightened judges. But in the pulpit, in which the orator should chiefly address the vulgar, it seems strange that it should be entirely laid aside.

The vulgar of England are, without exception, the most barbarous and the most unknowing of any in Europe. A great part of their ignorance may be chiefly ascribed to their teachers, who, with the most pretty gentleman-like serenity, deliver their cool discourses, and address the reason of men who have never reasoned in all their lives. They are told of cause and effect, of being self-existent, and the universal scale of beings. They are informed of the excellence of the Bangorian controversy, and the absurdity of an intermediate state. The spruce preacher reads his lucubration without lifting his nose from the text, and never ventures to earn the shame of an enthusiast.

By this means, though his audience feel not one word of all he says, he earns, however, among his acquaintance, the character of a man of sense; among his acquaintance only, did I say? nay, even with his bishop.

The polite of every country have several motives to induce them to a rectitude of action,-the love of virtue for its own sake, the shame of offending, and the desire of pleasing. The vulgar have but one, the enforcements of religion; and yet those who should push this motive home to their hearts, are basely found to desert their post. They speak to the squire, the philosopher, and the pedant; but the poor, those who really want instruction, are left uninstructed.

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I have attended most of our pulpit orators, who, it must be owned, write extremely well upon the text they assume. To give them their due also, they read their sermons with elegance and propriety; but this goes but a very short way in true eloquence. The speaker must be moved. this, in this alone, our English divines are deficient. Were they to speak to a few calm, dispassionate hearers, they certainly use the properest methods of address; but their audience is chiefly composed of the poor, who must be influenced by motives of reward and punishment, and whose only virtues lie in self-interest or fear.

How, then, are such to be addressed? not by studied periods or cold disquisitions; not by the labours of the head, but the honest spontaneous dictates of the heart. Neither writing a sermon with regular periods, and all the harmony of elegant expression-neither reading it with emphasis, propriety, and deliberation-neither pleasing with metaphor, simile, or rhetorical fustian-neither arguing coolly, and untying consequences united in à priori, nor bundling up inductions à posteriori,

-neither pedantic jargon, nor academical trifling, can persuade the poor; writing a discourse coolly in the closet, then getting it by memory, and delivering it on Sundays, even that will not do. What then is to be done? I know of no expedient to speak-to speak at once intelligibly and feelingly-except to understand the language. To be convinced of the truth of the object to be perfectly acquainted with the subject in view-to prepossess yourself with a low opinion of your audience, and to do the rest extempore; by this means, strong expressions, new thoughts, rising passions, and the true declamatory style, will naturally ensue.

Fine declamation does not consist in flowery periods, delicate allusions, or musical cadences, but in a plain, open, loose style, where the periods are long and obvious; where the same thought is often exhibited in several points of view: all this, strong sense, a good memory, and a small share of experience, will furnish to every orator; and without these, a clergyman may be called a fine preacher, a judicious preacher, and a man of good sense; he may make his hearers admire his understanding, but will seldom enlighten theirs.

When I think of the Methodist preachers among us, how seldom they are endued with common sense, and yet how often and how justly they affect their hearers; I cannot avoid saying within myself, had these been bred gentlemen, and been endued with even the meanest share of understanding, what might they not effect! Did our bishops, who can add dignity to their expostulations, testify the same fervour, and entreat their hearers, as well as argue, what might not be the consequence! The vulgar, by which I mean the bulk of mankind, would then have a double motive to love religion; first, from seeing its professors honoured here; and next, from the consequences hereafter. At present, the enthusiasms of the poor are opposed to law; did law conspire with their enthusiasms, we should not only be the happiest nation upon earth, but the wisest also.

Enthusiasm in religion, which prevails only among the vulgar, should be the chief object of politics. A society of enthusiasts, governed by reason, among the great, is the most indissoluble, the most virtuous, and the most efficient of its own decrees that can be imagined. Every country, possessed of any degree of strength, have had their enthusiasms, which ever serve as laws among the people. The Greeks had their кaλоkąуatíα, the Romans their Amor Patria, and we the truer and firmer bond of the Protestant Religion. The principle is the same in all: how much, then, is it the duty of those whom the law has appointed teachers of this religion, to enforce its obligations, and to raise those enthusiasms among people by which alone political society can subsist?

From eloquence, therefore, the morals of our people are to expect emendation; but how little can they be improved by men who get into the pulpit rather to show their parts, than convince us of the truth of what they deliver; who are painfully correct in their style, musical in their tones; where every sentiment, every expression, seems the result of meditation and deep study!

Tillotson has been commended as the model of pulpit eloquence: thus far he should be imitated, where he generally strives to convince rather

than to please; but to adopt his long, dry, and sometimes tedious discussions, which serve to amuse only divines, and are utterly neglected by the generality of mankind-to praise the intricacy of his periods, which are too long to be spokento continue his cool phlegmatic manner of enforcing every truth-is certainly erroneous. As I said before, the good preacher should adopt no model, write no sermons, study no periods; let him but understand his subject, the language he speaks, and be convinced of the truths he delivers. It is amazing to what heights eloquence of this kind may reach! This is that eloquence the ancients represented as lightning, bearing down every opposer; this the power which has turned whole assemblies into astonishment, admiration, and awe; that is described by the torrent, the flame, and every other instance of irresistible impetuosity.

But to attempt such noble heights belongs only to the truly great or the truly good. To discard the lazy manner of reading sermons, or speaking sermons by rote; to set up singly against the opposition of men who are attached to their own errors, and to endeavour to be great, instead of being prudent, are qualities we seldom see united. A minister of the Church of England, who may be possessed of good sense, and some hopes of preferment, will seldom give up such substantial advantages for the empty pleasure of improving society. By his present method, he is liked by his friends, admired by his dependents, not displeasing to his bishop; he lives as well, eats and sleeps as well, as if a real orator, and an eager asserter of his mission: he will hardly, therefore, venture all this, to be called, perhaps, an enthusiast; nor will he depart from customs established by the brotherhood, when, by such a conduct, he only singles himself out for their contempt.

CUSTOM AND LAWS COMPARED.

WHAT, say some, can give us a more contemptible idea of a large state, than to find it mostly governed by custom; to have few written laws, and no boundaries to mark the jurisdiction between the senate and the people? Among the number who speak in this manner is the great Montesquieu, who asserts that every nation is free in proportion to the number of its written laws, and seems to hint at a despotic and arbitrary conduct in the present King of Prussia, who has abridged the laws of his country into a very short

compass.

As Tacitus and Montesquieu happen to differ in sentiment upon a subject of so much importance (for the Roman expressly asserts, that the state is generally vicious in proportion to the number of its laws), it will not be amiss to examine it a little more minutely, and see whether a state which, like England, is burdened with a multiplicity of written laws, or which, like Switzerland, Geneva, and some other republics, is governed by custom and the determination of the judge, is best.

And to prove the superiority of custom to written law, we shall at least find history conspiring. Custom, or the traditional observance of the practice of their forefathers, was what directed the Romans as well in their public as private determinations. Custom was appealed to in pronoun

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