The Landscape of the Mind: Pastoralism and Platonic Theory in Tasso's Aminta and Shakespeare's Early Comedies

aesthetic Platonism Alcestis allegory allusion Aminta AMND Amore Apolline Apollo and Bacchus Arcadia Armado audience Bacchic Bacchus Bacchus-Apollo beauty Berowne Bucolics Cassirer cited classical Cortegiano courtly Cupid death delight Diana discordia concors divine doctrine early comedies eclogue Elizabethan English Eros erotic esoteric esotericism fable Fergus Ficino folly of loving Garin Gentlemen Greek Hercules heroic Hippolyta humour Hymn intermedi Italian landscape London Love's Labour's Lost lover Macrobius means melancholy mentioned Midas Midsummer-Night's Dream Milton mind mode mystical myth mythology mythopoeia nature Neo-Platonic nymph Orfeo Orpheus Orphic Orphic voice Orphism Ovid Pagan Mysteries Paris passim passion pastoral language pastoral poetry Phaedrus Philosophy Pico Platonic Platonists play plot poet poetic theology Poliziano praise Praise of Folly Proteus Pyramus and Thisbe raptio reconciled Renaissance rite satyr says scene serio ludere Shakespeare shepherd Silvia Socrates soul style Tasso theatre Theseus Thisbe Titania tradition trans unity Valentine Venus virtue wisdom