LaocoonMacmillan, 1874 - 360 páginas |
Dentro del libro
Resultados 1-5 de 17
Página ix
... Gurauer : Leipzig , 1849. G. E. Lessing's Sein Leben und Seine Werke , ' von A. Stahr : Berlin , 1859. Goedeke's Grundriss zur Geschichte der Deutschen Dichtung , ' 1 , 611 , § 221. Gervinus's ' Geschichte der Poetischen National ...
... Gurauer : Leipzig , 1849. G. E. Lessing's Sein Leben und Seine Werke , ' von A. Stahr : Berlin , 1859. Goedeke's Grundriss zur Geschichte der Deutschen Dichtung , ' 1 , 611 , § 221. Gervinus's ' Geschichte der Poetischen National ...
Página x
... discovered , and afterwards published , a treatise of Berengarius b , supposed to be lost , respecting the Holy Gurauer , 2 , 11 ; Goedeke , 611 , 612 , 663 . Eucharist . In 1775 he accompanied Prince Leopold of Bruns- X PREFACE .
... discovered , and afterwards published , a treatise of Berengarius b , supposed to be lost , respecting the Holy Gurauer , 2 , 11 ; Goedeke , 611 , 612 , 663 . Eucharist . In 1775 he accompanied Prince Leopold of Bruns- X PREFACE .
Página xviii
... Gurauer , II . 13 . * Cicero , Tusc . Q. iii . 19 . t xii . 388-409 . u x . I. 36 . Dionys . Halicar . i . 48 . z Excurs . v . vi , ad lib . ii . Virgil . whom I am chiefly indebted for these observations ) , xviii PREFACE .
... Gurauer , II . 13 . * Cicero , Tusc . Q. iii . 19 . t xii . 388-409 . u x . I. 36 . Dionys . Halicar . i . 48 . z Excurs . v . vi , ad lib . ii . Virgil . whom I am chiefly indebted for these observations ) , xviii PREFACE .
Página xxiii
... It is true that Lessing differed from him as to the principle of his com- parison of poetry and painting - Du Bos adopting for his motto , m Gurauer , ii . 15 . ' Ut Pictura Poesis . ' But Du Bos laid PREFACE . xxiii.
... It is true that Lessing differed from him as to the principle of his com- parison of poetry and painting - Du Bos adopting for his motto , m Gurauer , ii . 15 . ' Ut Pictura Poesis . ' But Du Bos laid PREFACE . xxiii.
Página xxxi
... Gurauer remarks that in consequence of this division the English school of thought naturally considered Fancy ' as the common factor ' of poetry and painting , and it was from this kind of psychological treatment of the arts that the ...
... Gurauer remarks that in consequence of this division the English school of thought naturally considered Fancy ' as the common factor ' of poetry and painting , and it was from this kind of psychological treatment of the arts that the ...
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Términos y frases comunes
Achilles action Aeneid ancient artists appears arbitrary signs Athenodorus bodies cause Caylus Chabrias CHAPMAN co-existent colours considered Constantinus Manasses corporeal beauty critic describes disgusting effect example excite expression eyes fault figures former give Greek Gurauer hand Hercules Herr Winkelmann Homer idea Iliad imagination imitative art language Laocoon latter Lessing Lessing's means Mendelssohn Milton modern Moses Mendelssohn natural signs observe opinion Ovid pain painter passage Pausanias Phidias Philoctetes picture pleasure Pliny poem poet poetical Poetry Poetry and Painting Polydorus produce Pythodorus remarks representation represented ridiculous says scream sensations serpents shield Sophocles speaking Spence statue successive taste Thersites thing trait translation true ugliness of form Virgil visible objects whole wishes words Zenodorus Zeuxis ἀλλὰ γὰρ δὲ διὰ ἐν ἐπὶ καὶ μὲν οἱ ὅτι οὐ περὶ τὰς τε τὴν τὸ τοῖς τῶν ὡς
Pasajes populares
Página 300 - Come on, sir; here's the place: — stand still. — How fearful And dizzy 'tis, to cast one's eyes so low! The crows, and choughs, that wing the midway air, Show scarce so gross as beetles : Half way down Hangs one that gathers samphire; dreadful trade! Methinks, he seems no bigger than his head: The fishermen, that walk upon the beach, Appear like mice; and yon' tall anchoring bark, Diminish'd to her cock; her cock, a buoy Almost too small for sight: The murmuring surge.
Página liv - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge, And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafening clamour in the slippery clouds, That, with the hurly, death itself awakes?
Página 168 - Dis's waggon! daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath...
Página 63 - Fit sonitus, spumante salo: iamque arva tenebant, Ardentesque oculos suffecti sanguine et igni Sibila lambebant linguis vibrantibus ora. Diffugimus visu exsangues. Illi agmine certo Laocoonta petunt, et primum parva duorum Corpora natorum serpens amplexus uterque Implicat, et miseros morsu depascitur artus. Post ipsum, auxilio subeuntem ac tela ferentem, Corripiunt, spirisque ligant ingentibus: et iam Bis medium amplexi, bis collo squamea circum Terga dati, superant capite et cervicibus altis.
Página 106 - ... of Moses when he was forced to wear a veil because himself had seen the face of God ; and still, while a man tells the story, the sun gets up higher, till he...
Página xliv - And ever, against eating cares, Lap me in soft Lydian airs, Married to immortal verse, Such as the meeting soul may pierce In notes, with many a winding bout Of link-ed sweetness long drawn out, With wanton heed, and giddy cunning, The melting voice through mazes running ; Untwisting all the chains that tie The hidden soul of Harmony : That Orpheus...
Página 165 - Olympiacae miratus praemia palmae. pascit equos, seu quis fortes ad aratra iuvencos, 50 corpora praecipue matrum legat. optima torvae forma bovis, cui turpe caput, cui plurima cervix, et crurum tenus a mento palearia pendent ; tum longo nullus lateri modus ; omnia magna, pes etiam ; et camuris hirtae sub cornibus aures. 55 nec mihi displiceat maculis insignis et albo, aut iuga detractans, interdumque aspera cornu, et faciem tauro propior, quaeque ardua tota, et gradiens ima verrit vestigia cauda.
Página 198 - Sotto quel sta, quasi fra due vallette La bocca sparsa di natio cinabro; Quivi due filze son di perle elette, Che chiude ed apre un bello, e dolce labro: Quindi escon le cortesi parolette Da render molle ogni cor rozzo e scabro: Quivi si forma quel soave riso, Ch'apre a sua posta in terra il paradiso.
Página lix - Roman soldiery, flung their gnarled arms over a thick carpet of the most delicious green sward ; in some places they were intermingled with beeches, hollies, and copsewood of various descriptions, so closely as totally to intercept the level beams of the sinking sun ; in others they receded from each other, forming those long sweeping vistas, in the intricacy of which the eye delights to lose itself, while imagination considers them as the paths to yet wilder scenes of sylvan solitude.
Página lxi - When a piece of scenery so beautiful, yet so varied, so exciting by its intricacy, and yet so sublime, is lighted up by the tints of morning or of evening, and displays all that variety of shadowy depth, exchanged with partial brilliancy, which gives character even to the tamest of landscapes, the effect approaches near to enchantment.