Selected Essays of William Hazlitt, 1778-1830Nonesuch Press, 1934 - 807 páginas |
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Página xii
... painting of his first picture is described in the essay “ On the Pleasure of Painting , " and also the portrait of his father , which was exhibited at Somerset House in 1802. In this year he visited Paris , his chief objective being the ...
... painting of his first picture is described in the essay “ On the Pleasure of Painting , " and also the portrait of his father , which was exhibited at Somerset House in 1802. In this year he visited Paris , his chief objective being the ...
Página 125
... paint a large picture , and I grant the truth of this position , if the large picture contains more than a small one ... painting the side of a house ) , regarding the extent of canvas they have to cover as an excuse for their slovenly ...
... paint a large picture , and I grant the truth of this position , if the large picture contains more than a small one ... painting the side of a house ) , regarding the extent of canvas they have to cover as an excuse for their slovenly ...
Página 661
... painting from the naked figure . If the wonder occasioned by the object is greater , so is the despair of rivalling what we see . The sense of responsi- bility increases with the hope of creating an artificial splendour to match the ...
... painting from the naked figure . If the wonder occasioned by the object is greater , so is the despair of rivalling what we see . The sense of responsi- bility increases with the hope of creating an artificial splendour to match the ...
Contenido
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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Términos y frases comunes
abstract admiration appearance beauty better Burke character Coleridge colour common conversation Correggio death delight effect English Essay expression face fancy favour favourite feeling French French Revolution friends genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jeremy Taylor Job Orton Lamb laugh learned less live look Lord Lord Byron Lord Keppel manner means mind Molière nature Nether Stowey never object opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle prose reason Rembrandt round seems sense sentiment Shakespear shew sort sound speak spirit style supposed talk taste things thought tion Titian Tom Jones truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write