Selected Essays of William Hazlitt, 1778-1830Nonesuch Press, 1934 - 807 páginas |
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Página 474
... write without affectation is to write at random . the contrary , there is nothing that requires more pre- cision , and , if I may so say , purity of expression , than the style I am speaking of . It utterly rejects not only all ...
... write without affectation is to write at random . the contrary , there is nothing that requires more pre- cision , and , if I may so say , purity of expression , than the style I am speaking of . It utterly rejects not only all ...
Página 643
... write the name under this criticism , and the best answer to it is that it is true - his pictures always are the ... write a digression . If the reader is not already apprised of it , he will please to take notice that I write this at ...
... write the name under this criticism , and the best answer to it is that it is true - his pictures always are the ... write a digression . If the reader is not already apprised of it , he will please to take notice that I write this at ...
Página 720
... writes better in favour of Reform than anybody else ; he used to write better against it . Wherever he is , there is the tug of war , the weight of the argument , the strength of abuse . He is not like a man in danger of being bed - rid ...
... writes better in favour of Reform than anybody else ; he used to write better against it . Wherever he is , there is the tug of war , the weight of the argument , the strength of abuse . He is not like a man in danger of being bed - rid ...
Contenido
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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Términos y frases comunes
abstract admiration appearance beauty better Burke character Coleridge colour common conversation Correggio death delight effect English Essay expression face fancy favour favourite feeling French French Revolution friends genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jeremy Taylor Job Orton Lamb laugh learned less live look Lord Lord Byron Lord Keppel manner means mind Molière nature Nether Stowey never object opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle prose reason Rembrandt round seems sense sentiment Shakespear shew sort sound speak spirit style supposed talk taste things thought tion Titian Tom Jones truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write