General musical instruction, tr. by G. Macirone. The musical portion revised by J. Pittman, Volumen26 |
Dentro del libro
Resultados 1-5 de 34
Página 4
... Intervals - 3 , Chords . 102 44 46 46 4th B. Speech 47 3rd SECTION . - Stringed instruments 47 5th 4th Bowed instruments 48 99 5th Reed or tubular instruments 50 " " 6th Brass instruments 51 " " 7th 99 The Organ 63 8th Percussive ...
... Intervals - 3 , Chords . 102 44 46 46 4th B. Speech 47 3rd SECTION . - Stringed instruments 47 5th 4th Bowed instruments 48 99 5th Reed or tubular instruments 50 " " 6th Brass instruments 51 " " 7th 99 The Organ 63 8th Percussive ...
Página 5
... interval , and this practice will be observed throughout the book . Thus the middle C on the piano ( called in this book the one - lined C ) , which is represented in notation by the note on the first ledger line under the staff in the ...
... interval , and this practice will be observed throughout the book . Thus the middle C on the piano ( called in this book the one - lined C ) , which is represented in notation by the note on the first ledger line under the staff in the ...
Página 16
... intervals of our system are taken . We want two such measures , which we call THE TONE AND THE SEMITONE . † A tone is the interval between any immediately ad- jacent degrees , having in our system some other tone between them ...
... intervals of our system are taken . We want two such measures , which we call THE TONE AND THE SEMITONE . † A tone is the interval between any immediately ad- jacent degrees , having in our system some other tone between them ...
Página 17
... intervals , we can easily make from them , minor , diminished , and extreme , by lessening by one or two semitones , or by adding one . For the representation of the major intervals we here pre- sent a figure not easily forgotten- THE ...
... intervals , we can easily make from them , minor , diminished , and extreme , by lessening by one or two semitones , or by adding one . For the representation of the major intervals we here pre- sent a figure not easily forgotten- THE ...
Página 18
... intervals . To the beginner , we recommend two practices . First , in writing . Let him sketch out the major intervals from every tone ( as we have done at page 17 ) , then all the minor ( as we have above ) . Then let him take first ...
... intervals . To the beginner , we recommend two practices . First , in writing . Let him sketch out the major intervals from every tone ( as we have done at page 17 ) , then all the minor ( as we have above ) . Then let him take first ...
Otras ediciones - Ver todas
General Musical Instruction, Tr. by G. Macirone. the Musical Portion Revised ... Adolf Bernhard Marx Sin vista previa disponible - 2016 |
Términos y frases comunes
accompaniment Acis Alexander's Feast alto Anthems arrangement artistic bass beginning bound called chief chord Chorus ciphering circle of fifths clarinet close combined composer composition counterpoint crotchets Deborah degree Dettingen ditto division dominant double Duet example feeling fifth flat four fourth fugue fundamental tone G clef G major Glee harmony Haydn higher horns instruction instruments intervals Israel Jephtha Joshua Judas ledger line Lord Madrigal major scale manner Mass means measure melody Messiah minor third motion Mozart nature ninth notation notes object octave one-lined orchestra passage performance pianoforte playing principal phrase produce quavers relative key rhythm rhythmic Samson Saul scholar score semibreve semiquavers semitone seventh sharp signature singing Solomon Sonata song sound strings succession of tones teacher tenor tion tonic triad Trio triplet vibrations VINCENT NOVELLO Violin Violoncello vocal voice whole written
Pasajes populares
Página 19 - Archbishop Cranmer desired that as his " English verses wanted the grace and faculty which he could wish they had," the king " would cause some other to do them into more pleasant English and phrase.
Página 7 - Speaking of this Treatise, he says — " The admirable Treatise on Counterpoint and Fugue is, in fact, the result of Cherubim's experience as to what was necessary for teaching counterpoint to the pupils of the Conservatoire for nearly a quarter of a century ; and the examples are models of that perfection of style which distinguishes the productions of the ancient Italian masters. GENERAL TABLE OF CONTENTS. Memoir of the Author. Contents of Treatise. Introduction on Counterpoint. Preliminary Propositions...
Página 18 - MOZART'S PIANOFORTE WORKS, An entirely New and Complete Edition, with and without Accompaniments, humbly dedicated by express permission to Her Most Gracious Majesty QUEEN VICTORIA. Edited by CIPRIANI POTTER, Principal Professor of Harmony and Composition in the Eoyal Academy of Music in London. A Thematic Index to toe whole Work will be found in each Volume.
Página 19 - CAROLS FOR EASTER-TIDE, set to ancient Melodies by the Rev. Thomas Helmore, MA Words principally in imitation of the original, by Rev.
Página 57 - And they placed them on the heavenly tablets, each had thirteen weeks; from one to another (passed) their memorial, from the first to the second, and from the second to the third, and from the third to the fourth.
Página 19 - HYMNAL NOTED, or Translations of the Ancient Hymns of the Church, set to their proper melodies. Edited by the Rev. JM Neale, MA, and the Rev. Thomas Helmore, MA Parts I.
Página 16 - NOVELLO'S GLEE-HIVE, A Collection of Popular Glees and Madrigals, In Vocal Score, with ad. lib. accompaniment for Piano-forte. Complete In Three Volumes. Handsomely bound in cloth ; gilt lettering. Price, *)3 each volume.
Página 113 - Does not this want and right proclaim itself from the deep inborn feelings of the people, from tho overflowing abundance of their conceptions, from our countless artists, from our display of the richest productions of art in advance of nations? Shall our festivals be never more joyous with our national songs, which are more abundant, more varied, more melodious, and more deeply touching than those of any people on earth? Shall the evangelical church be perpetually deprived of her own appropriate...
Página 123 - But to any one who enters upon this pursuit with inbred activity, to such a one the regions of sound are illumined and extended with every effort, — the sense of music is vivified, excited, and strengthened by every fresh manifestation of the internal art. Now, with the knowledge of the limitation of chords, freedom in the unfolding of art returns, and her play becomes continually richer and more variegated. Then all artistic forms are imagined and explained, the one from the other — the order...