General musical instruction, tr. by G. Macirone. The musical portion revised by J. Pittman, Volumen26 |
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General Musical Instruction, Tr. by G. Macirone. the Musical Portion Revised ... Adolf Bernhard Marx Sin vista previa disponible - 2016 |
Términos y frases comunes
accompaniment according appears arrangement artistic bass become beginning called character chief chord Chorus clef close combined complete composer composition considered construction crotchet determined distinguished division dominant double effect employed equal example expression feeling fifth flat four fourth fugue fundamental further give hand harmony higher important indicated instance instruction intervals kinds latter less lower major manner marked Mass means measure melody merely minor motion movement nature necessary ninth notation notes object observed octave original particular passage passing performance phrase pianoforte playing position principal proceed produce quavers raised require rest rhythm scale score separate seventh sharp single sometimes Sonata song soprano sound strings succession of tones teacher tenor third tones triad upper usually voice whole write written
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Página 57 - And they placed them on the heavenly tablets, each had thirteen weeks; from one to another (passed) their memorial, from the first to the second, and from the second to the third, and from the third to the fourth.
Página 113 - Does not this want and right proclaim itself from the deep inborn feelings of the people, from tho overflowing abundance of their conceptions, from our countless artists, from our display of the richest productions of art in advance of nations? Shall our festivals be never more joyous with our national songs, which are more abundant, more varied, more melodious, and more deeply touching than those of any people on earth? Shall the evangelical church be perpetually deprived of her own appropriate...
Página 123 - But to any one who enters upon this pursuit with inbred activity, to such a one the regions of sound are illumined and extended with every effort, — the sense of music is vivified, excited, and strengthened by every fresh manifestation of the internal art. Now, with the knowledge of the limitation of chords, freedom in the unfolding of art returns, and her play becomes continually richer and more variegated. Then all artistic forms are imagined and explained, the one from the other — the order...