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And burn in Cupid's flames - but burn alive.'

'Restore the lock!' she cries; and all around

'Restore the lock!' the vaulted roofs rebound.

Not fierce Othello in so loud a strain 105 Roared for the handkerchief that caused his pain.

But see how oft ambitious aims are crossed, And chiefs contend till all the prize is lost! The lock, obtained with guilt, and kept with pain,

In every place is sought, but sought in vain: With such a prize no mortal must be blessed, So Heaven decrees! with Heaven who can contest?

112

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And hence the egregious wizard shall foredoom

The fate of Louis and the fall of Rome. 140 Then cease, bright nymph! to mourn thy ravished hair,

Which adds new glory to the shining sphere!

Not all the tresses that fair head can boast, Shall draw such envy as the lock you lost. For, after all the murders of your eye, 145 When, after millions slain, yourself shall die:

When those fair suns shall set, as set they must,

And all those tresses shall be laid in dust, This lock, the Muse shall consecrate to fame,

And 'midst the stars inscribe Belinda's

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Soft were my numbers; who could take offense

While pure description held the place of sense?

Like gentle Fanny's was my flowery theme,
A painted mistress, or a purling stream. 14
Yet then did Gildon draw his venal quill;—
I wished the man a dinner, and sat still.
Yet then did Dennis rave in furious fret;
I never answered- I was not in debt.
If want provoked, or madness made them
print,

I waged no war with Bedlam or the Mint, 20
Did some more sober critic come abroad,
If wrong, I smiled; if right, I kissed the
rod.

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Should such a man, too fond to rule alone, Bear, like the Turk, no brother near the throne,

View him with scornful, yet with jealous eyes,

And hate for arts that caused himself to rise;

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Damn with faint praise, assent with civil leer,

And without sneering, teach the rest to sneer;

Willing to wound, and yet afraid to strike,
Just hint a fault, and hesitate dislike;
Alike reserved to blame, or to commend, 55
A timorous foe, and a suspicious friend;
Dreading e'en fools, by flatterers besieged,
And so obliging, that he ne'er obliged;
Like Cato, give his little senate laws,
And sit attentive to his own applause;
While wits and Templars every sentence
raise,

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And wonder with a foolish face of praise — Who but must laugh, if such a man there be?

Who would not weep, if Atticus were he!

(1735)

JAMES THOMSON (1700-1748)

Thomson was a Scotchman who, at the height of Pope's reign, went to seek his fortune in literary London. He arrived in need of a pair of shoes and lost the packet of recommendations which he had tied up in his handkerchief; but he was kindly received by his brother poets, and enjoyed sufficient patronage from the rich to preserve him from actual want. The four parts of The Seasons which appeared in rapid succession (1726-30) made his reputation, and a series of stiff tragedies in blank verse had a lukewarm success on the stage. Politically, he adhered to the opposition and was one of a group, including the poet Collins, which gathered around Lord Lyttleton at Hagley, under the 'precarious patronage' of Frederick, Prince of Wales. Thomson was an indolent man more fat than bard beseems,' luxurious and procrastinating, and the last fifteen years of his life originated' little that was important. The Castle of Indolence, which commemorates the Hagley company, was begun in 1733, though not completed until two years before his death. Dull in unfamiliar society, Thomson was loyally and deeply beloved by those who intimately knew him. His warm and truthful delineations of nature and his resource in the older harmonies of English verse helped to inaugurate a new era in poetry. Notwithstanding these tendencies, Pope regarded him with respect and favor. In the next generation, Dr. Johnson abated his prejudice against blank verse in favor of The Seasons, and forgot his hostility to Spenserism in commenting on The Castle of Indolence. 'He thinks always as a man of genius; he looks round on Nature and on Life with the eye which Nature bestows only on a poet,' was Johnson's summary of his abilities.

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35

O let not, aimed from some inhuman eye,
The gun the music of the coming year
Destroy; and harmless, unsuspecting harm,
Lay the weak tribes a miserable prey
In mingled murder, fluttering on the ground!
The pale descending year, yet pleasing
still,

A gentler mood inspires; for now the leaf 40
Incessant rustles from the mournful grove;
Oft startling such as studious walk below,
And slowly circles through the waving air.
But should a quicker breeze amid the boughs
Sob, o'er the sky the leafy deluge streams;
Till choked, and matted with the dreary
shower,
46

The forest walks, at every rising gale, Roll wide the withered waste, and whistle bleak.

Fled is the blasted verdure of the fields; And, shrunk into their beds, the flowery

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moon,

Full orbed, and breaking through the scattered clouds,

Shews her broad visage in the crimsoned east.

Turned to the sun direct her spotted disk, Where mountains rise, umbrageous dales de65 scend,

And caverns deep as optic tube descries,
A smaller earth, gives us his blaze again,
Void of its flame, and sheds a softer day.
Now through the passing clouds she seems
to stoop,

Now up the pure cerulean rides sublime. 70 Wide the pale deluge floats, and streaming mild

O'er the skied mountain to the shadowy vale,

While rocks and floods reflect the quivering gleam;

The whole air whitens with a boundless tide Of silver radiance trembling round the world. 75

(1730)

FROM WINTER

Through the hushed air the whitening shower descends,

At first thin-wavering, till at last the flakes Fall broad, and wide, and fast, dimming the day

With a continual flow. The cherished fields Put on their winter robe of purest white: 5 'Tis brightness all, save where the new snow melts

Along the mazy current. Low the woods Bow their hoar head; and ere the languid

sun

Faint from the west, emits his evening ray; Earth's universal face, deep hid, and chill, 10

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