Lessons in Elocution, Or, A Selection of Pieces in Prose and Verse: For the Improvement of Youth in Reading and SpeakingHill and Moore, 1820 - 384 páginas |
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Página 21
... breast , to shew fear ; spread forth with the hands open , to express desire or affection ; the hands clappedin surprise , and in sudden joy and grief ; the right hand clen- ched , and the arms brandished , to threaten ; the two arms ...
... breast , to shew fear ; spread forth with the hands open , to express desire or affection ; the hands clappedin surprise , and in sudden joy and grief ; the right hand clen- ched , and the arms brandished , to threaten ; the two arms ...
Página 24
... breast , if not to the feet of the superior character . The voice low ; the tone submissive , and words few . Perplexity or anxiety , which is always attended with some degree of fear and uneasiness , draws all the parts of the body ...
... breast , if not to the feet of the superior character . The voice low ; the tone submissive , and words few . Perplexity or anxiety , which is always attended with some degree of fear and uneasiness , draws all the parts of the body ...
Página 25
... breast , unless one hand covers the eyes , or rubs the forehead ; draws down the eyebrows ; hangs the head upon the breast ; casts down the eyes , shuts and pinches the eye- lids close ; shuts the mouth , and pinches the lips close ...
... breast , unless one hand covers the eyes , or rubs the forehead ; draws down the eyebrows ; hangs the head upon the breast ; casts down the eyes , shuts and pinches the eye- lids close ; shuts the mouth , and pinches the lips close ...
Página 26
... breast . The arms are ben- ded at the elbows , the fists are clenched hard ; the veins and muscles swelled ; the skin livid ; and the whole body strained and violently agitated ; groans , expressive of inward torture , more frequently ...
... breast . The arms are ben- ded at the elbows , the fists are clenched hard ; the veins and muscles swelled ; the skin livid ; and the whole body strained and violently agitated ; groans , expressive of inward torture , more frequently ...
Página 27
... breast . The teeth gnash with an- guish . The whole body strained and violently agitated . If this strong remorse is succeeded by the more gracious disposition of penitence , or contrition ; then the eyes are raised ( but with great ...
... breast . The teeth gnash with an- guish . The whole body strained and violently agitated . If this strong remorse is succeeded by the more gracious disposition of penitence , or contrition ; then the eyes are raised ( but with great ...
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Términos y frases comunes
action admire appear arms beauty body breast Brutus Calais Carthaginians Cesar charms cheerful Chrysippus Cicero Clodius countenance creatures Curiatii danger death delight Dovedale earth enemy express eyes father fortune friends gesture give glory grace grief hand happy hath head hear heart heaven honor hope hour human Jugurtha Keswick kind king Lady G live look Lord manner ment Milo mind mouth nature ness never night noble Numidia o'er object observe pain passion Patricians person pleasure Plebeian Pompey praise privy counsellor pronunciation Rhadamanthus rise Roman Roman Senate Rome says scene sense sentence shew Sicily side smile soul sound speak speaker specta suré sweet tears thee thing thou thought tion tone Trim truth Twas uncle Toby utterance virtue voice whole words young youth
Pasajes populares
Página 366 - Romans, countrymen, and lovers ! hear me for my cause, and be silent, that you may hear : believe me for mine honour, and have respect to mine honour, that you may believe : censure me in your wisdom, and awake your senses, that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say that Brutus' love to Caesar was no less than his.
Página 350 - For I can raise no money by vile means: By heaven, I had rather coin my heart, And drop my blood for drachmas, than to wring From the hard hands of peasants their vile trash By any indirection...
Página 236 - The boast of heraldry, the pomp of power, And all that beauty, all that wealth e'er gave, Await alike the inevitable hour: The paths of glory lead but to the grave.
Página 362 - Why shrinks the soul Back on herself, and startles at destruction ? 'Tis the divinity that stirs within us; 'Tis Heaven itself that points out an hereafter, And intimates eternity to man.
Página 261 - The praise of Bacchus then the sweet musician sung : Of Bacchus ever fair and ever young : The jolly god in triumph comes ! Sound the trumpets, beat the drums ! Flush'd with a purple grace He shows his honest face : Now give the hautboys breath; he comes, he comes! Bacchus, ever fair and young, Drinking joys did first ordain ; Bacchus...
Página 359 - tis nobler in the mind, to suffer The slings and arrows of outrageous fortune ; Or to take arms against a sea of troubles, And by opposing end them ? — To die, — to sleep, — No more ; and, by a sleep, to say we end The heart-ache, and the thousand natural shocks That flesh is heir to, — 'tis a consummation Devoutly to be wish'd. To die ; — to sleep : — To sleep ! perchance to dream : — ay, there's the rub ; For in that sleep of death what dreams may come, When we have shuffled off this...
Página 249 - Air, and ye Elements, the eldest birth Of Nature's womb, that in quaternion run Perpetual circle, multiform ; and mix And nourish all things ; let your ceaseless change Vary to our Great Maker still new praise.
Página 367 - I speak not to disprove what Brutus spoke, But here I am to speak what I do know. You all did love him once, not without cause: What cause withholds you then to mourn for him? O judgment! thou art fled to brutish beasts, And men have lost their reason. Bear with me; My heart is in the coffin there with Caesar, And I must pause till it come back to me.
Página 342 - Why, well : Never so truly happy, my good Cromwell. I know myself now ; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
Página 351 - Suit the action to the word, the word to the action: with this special observance, that you o'erstep not the modesty of nature; for any thing so overdone is from the purpose of playing, whose end, both at the first, and now, was, and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time, his form, and pressure.