The Works of Shakespeare ...Bobbs-Merrill Company, 1923 |
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Página vii
... Falstaff's letter , and assign- ing the comments upon it to Poins , to whom their flippancy seemed especially appropriate . The arrangement offered in the present text depends to some extent upon a punning use of the word " writes ...
... Falstaff's letter , and assign- ing the comments upon it to Poins , to whom their flippancy seemed especially appropriate . The arrangement offered in the present text depends to some extent upon a punning use of the word " writes ...
Página xvi
... Falstaff occurs . But the weight of textual evidence is against such an assumption , which has yet been accepted by some scholars , including Rolfe , on the strength of the retention of the prefix " Old . " before one of Falstaff's ...
... Falstaff occurs . But the weight of textual evidence is against such an assumption , which has yet been accepted by some scholars , including Rolfe , on the strength of the retention of the prefix " Old . " before one of Falstaff's ...
Página xxi
... Falstaff likens himself to " a sow that hath overwhelmed all her litter but one , " Jack Dapper will try to cap the ... Falstaff's soliloquies , and in particular that in which he eulogises sack , are rich mines of wit which were ...
... Falstaff likens himself to " a sow that hath overwhelmed all her litter but one , " Jack Dapper will try to cap the ... Falstaff's soliloquies , and in particular that in which he eulogises sack , are rich mines of wit which were ...
Página xxvii
... latter tainted with the emanations of physical and moral corruption . A heavy descension ! Yet the descent from the idealism of the one to the realism of the other was artistically justified . Falstaff in Part II . was to INTRODUCTION ...
... latter tainted with the emanations of physical and moral corruption . A heavy descension ! Yet the descent from the idealism of the one to the realism of the other was artistically justified . Falstaff in Part II . was to INTRODUCTION ...
Página xxviii
William Shakespeare William James Craig, Robert Hope Case. artistically justified . Falstaff in Part II . was to be shown in his true colours , and his degradation - a stern dramatic necessity - was in part to be effected by stressing ...
William Shakespeare William James Craig, Robert Hope Case. artistically justified . Falstaff in Part II . was to be shown in his true colours , and his degradation - a stern dramatic necessity - was in part to be effected by stressing ...
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Términos y frases comunes
allusion archbishop Bard Bardolfe Bartholomew Fair Beaumont and Fletcher Bullen Cæsar Capell Captain Chapman Collier conjectured Craig crown Cynthia's Revels Dekker and Webster Dict Dods Doll doth earle Edward Enforced Marriage Enter Epilogue Exeunt Exit Fair Falstaff father Folio grace Greene Greene's Tu Quoque Hanmer hast hath haue Heauen Ff Henry IV Henry VI Heywood Honest Whore honour Host Humour Iohn Jonson Julius Cæsar Justice King Henry knight London Love's Labour's Lost Lyly Magnetic Lady Malone Marston Massinger Merry Wives Middleton Miseries of Enforced Monsieur Thomas Nabbes noble Northumberland Onions peace Pearson Pist Pistol play Poins Pope pray Prince Puritan Quarto quibble Quoque Haz reference Richard Richard II Rowley SCENE sense Shakespeare Shal shillings Sir Dagonet Sir John speech Steevens swaggering sword thee Theobald Thomas viii Westmoreland Woman word
Pasajes populares
Página 20 - Men of all sorts take a pride to gird at me : the brain of this foolish-compounded clay, man, is not able to invent any thing that tends to laughter, more than I invent or is invented on me : I am not only witty in myself, but the cause that wit is in other men.
Página 164 - It ascends me into the brain ; dries me there all the foolish and dull and crudy vapours which environ it ; makes it apprehensive, quick, forgetive, full of nimble fiery and delectable shapes ; which, delivered o'er to the voice, the tongue, which is the birth, becomes excellent wit.
Página 110 - Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down And steep my senses in forgetfulness? Why rather, sleep, liest thou in smoky cribs...
Página 219 - King. I know thee not, old man : fall to thy prayers ; How ill white hairs become a fool and...
Página 168 - And noble offices thou mayst effect Of mediation, after I am dead, Between his greatness and thy other brethren : Therefore omit him not ; blunt not his love, Nor lose the good advantage of his grace By seeming cold or careless of his will ; For he is gracious, if he be observed : 30 He hath a tear for pity and a hand Open as day for melting charity...