Women as Hamlet: Performance and Interpretation in Theatre, Film and FictionCambridge University Press, 2007 M02 22 - 329 páginas The first Hamlet on film was Sarah Bernhardt. Probably the first Hamlet on radio was Eve Donne. Ever since the late eighteenth century, leading actresses have demanded the right to play the role - Western drama's greatest symbol of active consciousness and conscience. Their iconoclasm, and Hamlet's alleged 'femininity', have fascinated playwrights, painters, novelists and film-makers from Eugène Delacroix and the Victorian novelist Mary Braddon to Angela Carter and Robert Lepage. Crossing national and media boundaries, this book addresses the history and the shifting iconic status of the female Hamlet in writing and performance. Many of the performers were also involved in radical politics: from Stalinist Russia to Poland under martial law, actresses made Hamlet a symbol of transformation or crisis in the body politic. On stage and film, women reinvented Hamlet from Weimar Germany to the end of the Cold War. This book aims to put their half-forgotten achievements centre-stage. |
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Contenido
Sección 1 | 3 |
Sección 2 | 13 |
Sección 3 | 35 |
Sección 4 | 37 |
Sección 5 | 65 |
Sección 6 | 77 |
Sección 7 | 78 |
Sección 8 | 83 |
Sección 12 | 106 |
Sección 13 | 107 |
Sección 14 | 117 |
Sección 15 | 137 |
Sección 16 | 141 |
Sección 17 | 150 |
Sección 18 | 160 |
Sección 19 | 183 |
Sección 9 | 85 |
Sección 10 | 88 |
Sección 11 | 98 |
Sección 20 | 184 |
Sección 21 | 206 |
Sección 22 | 265 |
Otras ediciones - Ver todas
Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction Tony Howard Sin vista previa disponible - 2009 |
Términos y frases comunes
acting actor actress American androgynous Angela Winkler artist Asta Nielsen audience Beauvoir body Braddon Budzisz-Krzyżanowska cast character Charlotte Cushman cinema Claudius costume critics cross-dressing culture death Delacroix Diane Venora director drama dreams dress Dublin Eleanor Eleanor's Victory emotional Espert Eva Le Gallienne explore eyes face Fanny Kemble father female Hamlet feminine feminism feminist figure film Fiona Shaw Fortinbras Fouere Gallienne gender Gertrude Ghost Girik girls Goncharova Horatio Ibid intellectual Juliet Kemble King Lady Laertes List of Blessings London look madness male Mary masculine Meyerhold modern mother murder never novel Nuria Espert Olesha Ophelia Papp passion performance played Hamlet Players political Polonius Press Prince production Queen quoted Raikh rehearsal role Romeo Rosencrantz and Guildenstern s/he Sarah Bernhardt scene sexual Shakespeare Siddons skull soliloquies stage star theatre theatrical thought Tour tragedy tragic travesti Venora voice Wajda Winkler woman women wrote York young