 By inverting the intervals, — that is to say, by transposing the lower to the higher, — the unison becomes an octave, the second becomes a seventh, the third becomes a sixth, the fourth becomes a fifth, the fifth becomes a fourth, the sixth becomes...  A treatise on harmony, tr. by mrs C. Clarke - Página 5por Charles Simon Catel - 1854Vista completa - Acerca de este libro
 | Frederick Arthur Gore Ouseley - 1880 - 420 páginas
...shew, at a glance, what each note of the scale becomes when inverted in the octave. Thus the ijnison becomes an octave, the second becomes a seventh, the third becomes a sixth, and so forth. 6. The reason why the fifth cannot be treated as a concord is that by inversion it becomes... | |
 | Mary Reston Black, Margaret Bell Black - 1913 - 56 páginas
...of an interval an octave higher. 14. How do the intervals change when you invert them? The prime or unison becomes an octave. The second becomes a seventh....sixth becomes a third. The seventh becomes a second. The eighth or octave becomes a prime. {jg~ a - asa — rr~^^ 15. What other change takes place when... | |
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