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Nay, hear them, Antony : Fulvia, perchance, is angry : Or, who knows If the scarce
-bearded Caesar have not sent His powerful mandate to you — " Do this; or this;
Take in that kingdom, and infranchise that ; Perform't, or else we damn thee.
O, my lord, Ant. Speak to me home, mince not the general tongue ; Name
Cleopatra as she's call'd in Rome : Rail thou in Fulvia's phrase; and taunt my
faults With such full license, as both truth and malice Have power to utter. O, then
we bring ...
Cleopatra, catching but the least noise of this, dies instantly : I have seen her die
twenty times upon far poorer moment. Ant. She is cunning past man's thought.
Fulvia is dead. Enob. Sir? Ant. Fulvia is dead. Enob. Fulvia? Ant. Dead. Enob.
Why should I think you can be mine, and true, Though you in swearing shake the
throned gods, Who have been false to Fulvia? Riotous madness, To be
entangled with those mouth-made vows Which break themselves in swearing!
Ant. Most ...
Though age from folly could not give me freedom, It does from childishness : Can
Fulvia die ? Ant. She's dead, my queen : Look here, and at thy sovereign leisure
read The garboils she awak'd ; at the last, best: See, when, and where she dy'd.
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The version of King Lear revised by Tate is not the real King Lear. It has been completely rewritten to give it a super happy ending. Wanting to get more familiar with Shakespeare, I read the whole play, not realizing that it wasn't the real tragedy. Very disappointed to find out after the fact that I read a counterfeit play. Reminds me of the Disney-fication of The Little Mermaid or the "Super Happy Ending" in Wayne's World.