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With accents blithe as voice of May,
Chaunting glad Nature's roundelay;
Circled by joy like planet bright
That smiles 'mid wreaths of dewy light,
Thy image such, in former time,
When thou, just entering on thy prime,
And woman's sense in thee combined
Gently with childhood's simplest mind,
First taught'st my sighing soul to move
With hope towards the heaven of love!

Now years have given my Mary's face
A thoughtful and a quiet grace;—
Though happy still—yet chance distress
Hath left a pensive loveliness
Fancy hath tamed her fairy gleams,
And thy heart broods o'er home-born dreams!
Thy smiles, slow-kindling now and mild,
Shower blessings on a darling child;
Thy motion slow, and soft thy tread,
As if round thy hush'd infant's bed!
And when thou speak'st, thy melting tone,
That tells thy heart is all my own,
Sounds sweeter, from the lapse of years,
With the wife's love, the mother's fears'

By thy glad youth, and tranquil prime
Assured, I smile at hoary time !
For thou art doom'd in age to know
The calm that wisdom steals from woe:
The holy pride of high intent,
The glory of a life well spent.
When earth's affections nearly o'er
With Peace behind, and Faith before,
Thou render'st up again to God,
Untarnish’d by its frail abode,
Thy lustrous soul, then harp and hymn,
From bands of sister seraphim,
Asleep will lay thee, till thine eye
Open in immortality'

George Citabb E was born on the 24th of December, 1754, at Aldborough, in Suffolk, where his father was an officer of the customs. He was originally apprenticed to a surgeon-apothecary; but disliking the profession, and encouraged by the praise accorded to some early attempts at composition, he ventured to London, and had the good fortune to meet a friend in the illustrious Edmund Burke; under whose auspices, in 1781, “the Library” was published. “The Village” soon followed; and both received the praise of Dr. Johnson. The Poet, however, had no ambition to become an author by profession: he took holy orders, and obtained the rectory of Trowbridge, in Wiltshire; here–away from the busy world—in calm and contented tranquillity, the remainder of his long life was passed. In 1807, he published a collection of “Poems;” in 1810, “the Borough;" in 1812, the “Tales;” and in 1819, the “Tales of the Hall.” The whole of his works have been recently collected, with the addition of several posthumous poems, and published by his son ".

The character of Mr. Crabbe forms a singular contrast to his writings —he was amiable, benevolent, and conciliatory to a degree. All who knew him loved him;

“In every family
Ahke, in every generation dear,
The children's favourite, and the grandsire's friend,
Tried, trusted, and beloved.”

“To him it was recominendation enough to be poor and wretched.” We quote this passage from the “Life,” by his son, which prefaces the edition of his works. It is a gracefully and sensibly written biography; and altogether worthy of the memory of the admirable Poet and estimable man. His conversation was easy, fluent, and abundant in correct information; but distinguished chiefly by good sense and good feeling. “Kindness, meekness, and comfort were in his tongue.” He died on the 3rd of February, 1832. Mr. Lockhart thus describes his person:—“His noble forehead, his bright beaming eye, without any thing of old age about it—though he was then, I presume, above seventy—his sweet, and, I would say, innocent, smile, and the calm, mellow tones of his voice,—all are re-produced the moment I open any page of his poetry." A high contemporary authority characterises Crabbe as

“ Nature's sternest painter—yet the best.”

It is certain, that those who read his poems derive from them greater pain than pleasure; and while admitting the general truth of his pictures, and the accuracy of his portraits, turn from them with a feeling of dissatisfaction approaching to disgust. It may be that

“The fault was not in him—but in mankind:”

there can be, however, no doubt that the Poet wilfully exaggerated in his descriptions of human vice, and details of human suffering; and that he himself neither believed nor imagined his fellow-beings so odious and depraved as he describes them. His desire to be original led him into this large error, to reject the garb in which poetry had forages been wont to array the works of the creation; and to clothe them in a dress quite as unnatural and equally opposed to reality. The rustic population of our country are neither so wretched nor so degraded as they are, with few exceptions, made to appear. The poor, as well as the rich, have their vices—but their virtues also. It is not only while writing of men and women that Crabbe “ looks askance:” he can perceive in the people who surround him little that is good, and less that is gracious; but he has neither eye nor ear for the beautiful sights and delicious sounds of inanimate nature. To him, the breeze is ever harsh and unmusical,—seldom moving except to produce wrecks; and hill, and stream, and valley, are barren, muddy, and unprofitable. He contemplates all things, animate and inanimate, “through a glass, darkly.” The consequence has naturally been, that Crabbe never was a popular Poet. Yet the rough energy of his descriptions, the vigorous and manly style of his versitication, the deep though oppressive interest of his stories, and his stern maxims of morality, with a little more of a kindly leaning towards humanity—must have secured for him universal admiration.

* The Poetical works of the Rev. George crabbe; 6 vols. London. Murray.

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TuRN to the watery world!—but who to thee
(A wonder yet unview'd) shall paint—the sea 7
Various and vast, subliume in all its forms,
When lull'd by zephyrs, or when rous’d by storms,
Its colours changing, when from clouds and sun
Shades after shades upon the surface run ;
Embrown'd and horrid now, and now serene,
In limpid blue, and evanescent green;
And oft the foggy banks on ocean lie,
Lift the fair sail, and cheat th' experienced eye.

Be it the summer noon : a sandy space The ebbing tide has left upon its place; Then just the hot and stony beach above, Light twinkling streams in bright confusion move;

(For heated thus, the warmer air ascends,
And with the cooler in its fall contends),-
Then the broad bosom of the ocean keeps
An equal motion; swelling as it sleeps,
Then slowly sinking ; curling to the strand,-
Faint, lazy waves o'ercreep the ridgy sand,
Or tap the tarry boat with gentle blow,
And back return in silence, smooth and slow.
Ships in the calm seem anchor'd ; for they glide
On the still sea, urged solely by the tide;
Art thou not present, this calm scene before,
Where all beside is pebbly length of shore,
And far as eye can reach, it can discern no more ?

Yet sometimes comes a ruffling cloud to make The quiet surface of the ocean shake, As an awaken'd giant with a frown Might show his wrath, and then to sleep sink down.

View now the winter-storm ' above, one cloud, Black and unbroken, all the skies o'ershroud; Th' unwieldy porpoise through the day before Had roll'd in view of boding men on shore; And sometimes hid and sometimes show'd his form, Dark as the cloud, and furious as the storm.

All where the eye delights, yet dreads to roam, The breaking billows cast the flying foam Upon the billows rising, all the deep Is restless change; the waves so swell'd and steep, Breaking and sinking, and the sunken swells, Nor one, one moment, in its station dwells: But nearer land you may the billows trace, As if contending in their watery chase; May watch the mightiest till the shoal they reach, Then break and hurry to their utmost stretch ; Curl’d as they come, they strike with furious force, And then, reflowing, take their grating course, Raking the rounded flints, which ages past Roll'd by their rage, and shall to ages last.

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Now to his grave was Roger Cuff convey'd,
And strong resentment's lingering spirit laid :
Shipwreck'd in youth, he home return’d and found
His brethren three-and thrice they wish'd him drown'd.
“Is this a landman's love 2 Be certain, then,
We part for ever!"—and they cried, “Amen"
His words were truth's. Some forty summers fled,
His brethren died, his kin supposed him dead:
Three nephews these—one sprightly niece, and one
Less near in blood—they call'd him surly John –
He work'd in woods apart from all his kind,
Fierce were his looks, and moody was his mind.
For home the sailor now began to sigh :
“The dogs are dead—and I'll return and die;
When all I have, my gains, in years of care,
The younger Cuffs with kinder souls shall share :—
Yet hold! I'm rich;-with one consent they'll say,
‘You’re welcome, Uncle, as the flowers in May.'
No ; I'll disguise me, be in tatters dress'd,
And best befriend the lads who treat me best.”
Now all his kindred,—neither rich nor poor,
Kept the wolf, want, some distance from the door.
In piteous plight he knock'd at George's gate,
And begg'd for aid, as he described his state :
But stern was George;—“Let them who had thee strong
Help thee to drag thy weaken'd frame along ;
To us a stranger while your limbs would move,
From us depart, and try a stranger's love;—
Ha! dost thou murmur P”—for, in Roger's throat,
Was ‘ Rascal' rising with disdainful note.
To pious James he then his prayer address'd :
“Good lack,” quoth James, “thy sorrows pierce my breast !
And, had I wealth, as have my brethren twain,
One board should feed us, and one roof contain :
But plead I will thy cause, and I will pray;
And so farewell !—Heaven help thee on thy way!”
“Scoundrel !” said Roger, (but apart,)—and told
His case to Peter. Peter too was cold :
“The rates are high ; we have a-many poor :-
But I will think,” he said, and shut the door.

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