the region of comedy altogether. In a household so richly furnished with comic types as Olivia's, the professed humorist plays a minor part. Feste, the clown, is distinguished among Shakespeare's fools by his comparative realism; he is not sublimated and poetised like Touchstone, but renders, literally enough, the regulation buffooneries of the typical court jester. In one point he stands alone, as the singer of the songs scattered through. the play, which so finely touch its various moods-languishing sentiment, rollicking gaiety, and mischief. It contributes something to its harmonious unity that the mocking reminiscence of the 'old Vice with his dagger of lath' springs from the same excellent breast which had recalled for the solace of the sentimental duke antique memories of another order-the old plain song: That dallies with the innocence of love TWELFTH NIGHT OR, WHAT YOU WILL ACT I. SCENE I. The DUKE's palace. Enter DUKE, CURIO, and other Lords; Musicians attending. Duke. If music be the food of love, play on; Give me excess of it, that, surfeiting, The appetite may sicken, and so die. That strain again! it had a dying fall: O, it came o'er my ear like the sweet sound Stealing and giving odour! Enough; no more: O spirit of love! how quick and fresh art thou, 4. fall, cadence. 5, 6. the sweet sound That breathes, etc. Pope altered sound to south, and Dyce and Singer followed him. But the duke's description is subtler. He tries ΤΟ to convey the intoxicating richness of the music by comparing it to that which appeals to two senses at once-to the melodious breeze charged with the perfume of violets. Of what validity and pitch soe'er, But falls into abatement and low price, Even in a minute: so full of shapes is fancy Cur. Will you go hunt, my lord? Duke. Cur. The hart. What, Curio? Duke. Why, so I do, the noblest that I have : Enter VALENTINE. How now! what news from her? Val. So please my lord, I might not be ad- But from her handmaid do return this answer : A brother's dead love, which she would keep fresh Duke. O, she that hath a heart of that fine frame How will she love, when the rich golden shaft Hath kill'd the flock of all affections else 26. The element, the air. 20 30 ib. till seven years' heat, for seven summers. 35. shaft, i.e. of Cupid. 32. remembrance; four syllables. That live in her; when liver, brain and heart, [Exeunt. 40 SCENE II. The sea-coast. Enter VIOLA, a Captain, and Sailors. Vio. What country, friends, is this? Vio. And what should I do in Illyria? My brother he is in Elysium. Perchance he is not drown'd: what think you, sailors ? Cap. It is perchance that you yourself were saved. Vio. O my poor brother! and so perchance may he be. Cap. True, madam: and, to comfort you with chance, Assure yourself, after our ship did split, When you and those poor number saved with you Courage and hope both teaching him the practice, Vio. For saying so, there's gold : 37. liver; this was regarded as a special seat of the passions, especially of courage and love. ΙΟ 39. one self king, one self-same king, i.e. Love. Mine own escape unfoldeth to my hope, Vio. Who governs here? Cap. A noble duke, in nature as in name. Cap. Orsino. Vio. Orsino ! I have heard my father name him : He was a bachelor then. Cap. And so is now, or was so very late; And then 'twas fresh in murmur,-as, you know, Vio. What's she? Cap. A virtuous maid, the daughter of a count Vio. O that I served that lady, What my estate is ! Cap. That were hard to compass; Because she will admit no kind of suit, No, not the duke's. Vio. There is a fair behaviour in thee, captain; 21. The like of him, a similar escape in his case. 42. delivered, made known. 43, 44. Till I had made mine 20 30 40 own occasion mellow What my estate is, till I had made use of my opportunities to better my present condition. |