Rhythm and Harmony in Poetry and Music: Together with Music as a Representative Art; Two Essays in Comparative ÆstheticsG. P. Putnam's sons, 1894 - 344 páginas |
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Página viii
... motive organs of sensation in the ear or eye , or upon the emotive sources of imagination in the mind ; or upon both the one and the other . " Moreover , from a text , thus prepared for his pur- pose by himself , through the omission of ...
... motive organs of sensation in the ear or eye , or upon the emotive sources of imagination in the mind ; or upon both the one and the other . " Moreover , from a text , thus prepared for his pur- pose by himself , through the omission of ...
Página xxvii
... Motive - Its Expressional Importance - The Phrase , Section , and Period - Changes in the Period - Unity of Effect as Developed from these Rhythmic Arrangements - Why Higher Works Find Few to Appreciate them - Musical Measures , Like ...
... Motive - Its Expressional Importance - The Phrase , Section , and Period - Changes in the Period - Unity of Effect as Developed from these Rhythmic Arrangements - Why Higher Works Find Few to Appreciate them - Musical Measures , Like ...
Página 90
... Motive - Its Expressional Import- ance - The Phrase , Section , and Period - Changes in the Period - Unity of Effect as Developed from these Rhythmic Arrangements - Why Higher Works Find Few to Appreciate them — Musical Measures , Like ...
... Motive - Its Expressional Import- ance - The Phrase , Section , and Period - Changes in the Period - Unity of Effect as Developed from these Rhythmic Arrangements - Why Higher Works Find Few to Appreciate them — Musical Measures , Like ...
Página 95
... motive . This is usually contained in two measures , but its chief function is not to divide up the time but to express or represent a phase of feeling which is a germ for future musical unfoldment . It bears the same relation to a ...
... motive . This is usually contained in two measures , but its chief function is not to divide up the time but to express or represent a phase of feeling which is a germ for future musical unfoldment . It bears the same relation to a ...
Página 96
... motive , " says W. S. B. Mathews , in his " Primer of Musical Forms , " " lies in its rhythm and its general melodic figure , chiefly in the for- mer . " To illustrate this , he takes a motive from Schu- mann's Novellette , and shows ...
... motive , " says W. S. B. Mathews , in his " Primer of Musical Forms , " " lies in its rhythm and its general melodic figure , chiefly in the for- mer . " To illustrate this , he takes a motive from Schu- mann's Novellette , and shows ...
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Términos y frases comunes
according Æneid æsthetic alliteration arranged Art in Theory ART-METHODS artistic assonance bass blank verse cadence cæsura cause Chapter chord color composed congruity connection consonants developed downward duration elocutionary expression fact Faerie Queene fifth Genesis of Art-Form Götterdämmerung gradation Greek harmony hexameter human voice iambic Idem imitation indicated inharmonic instance instruments length lines major major scale melody ments methods metre mind minor mood Motive movement musical scale nature notes Notice number of syllables octave Paradise Lost partial effects partial tones phrases pitch poetic poetry Poetry and Music poets principle produced quotation ratios reason recognized repetition representation Representative Art result rhyme rhythm scale sense Shakespeare singing song sounds speech stanzas strings suggested tendency termed terminal tetrameter thee thought tion tonic trimeter triple measures Trochaic unaccented syllables unity upward uttered verse vibrations voice vowels W. S. Gilbert Wagner's words