Rhythm and Harmony in Poetry and Music: Together with Music as a Representative Art; Two Essays in Comparative ÆstheticsG. P. Putnam's sons, 1894 - 344 páginas |
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Página iv
... color or an outline may enable him by a few touches to change an unsuccessful product into one fitted to charm all those whose tastes agree with our own . And so with a poet . Those who have ever attempted verses know the constant ...
... color or an outline may enable him by a few touches to change an unsuccessful product into one fitted to charm all those whose tastes agree with our own . And so with a poet . Those who have ever attempted verses know the constant ...
Página vii
... color . The general conclusion reached , which , if true , is of the utmost philosophic and artistic importance , is ... colors harmonize together and in such ways that their combinations harmonize with the natural requirements of the ...
... color . The general conclusion reached , which , if true , is of the utmost philosophic and artistic importance , is ... colors harmonize together and in such ways that their combinations harmonize with the natural requirements of the ...
Página xvii
... color . But , you say , there certainly was a time when theories of art were different . Dante , Milton , Wordsworth , yes , and Shakespeare , Goethe , and Schiller too , -all these had style or form , yet what one thinks of chiefly ...
... color . But , you say , there certainly was a time when theories of art were different . Dante , Milton , Wordsworth , yes , and Shakespeare , Goethe , and Schiller too , -all these had style or form , yet what one thinks of chiefly ...
Página xxii
... colors . With some , it hardly means imitation at all . It means the development of color according to the laws of har- mony . Even where the subject of art is a person , even in portraiture , there are critics who tell us that the ...
... colors . With some , it hardly means imitation at all . It means the development of color according to the laws of har- mony . Even where the subject of art is a person , even in portraiture , there are critics who tell us that the ...
Página xxv
... Color - Respective Correspondences between Effects in Sound and in Sight - Combined Influences of these Effects as Manifested in Rhythm and in Proportion , and also in Harmony of Sound and of Color . II . RHYTHM IN Nature , Mind , aND ...
... Color - Respective Correspondences between Effects in Sound and in Sight - Combined Influences of these Effects as Manifested in Rhythm and in Proportion , and also in Harmony of Sound and of Color . II . RHYTHM IN Nature , Mind , aND ...
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Términos y frases comunes
according Æneid æsthetic alliteration arranged Art in Theory ART-METHODS artistic assonance bass blank verse cadence cæsura cause Chapter chord color composed congruity connection consonants developed downward duration elocutionary expression fact Faerie Queene fifth Genesis of Art-Form Götterdämmerung gradation Greek harmony hexameter human voice iambic Idem imitation indicated inharmonic instance instruments length lines major major scale melody ments methods metre mind minor mood Motive movement musical scale nature notes Notice number of syllables octave Paradise Lost partial effects partial tones phrases pitch poetic poetry Poetry and Music poets principle produced quotation ratios reason recognized repetition representation Representative Art result rhyme rhythm scale sense Shakespeare singing song sounds speech stanzas strings suggested tendency termed terminal tetrameter thee thought tion tonic trimeter triple measures Trochaic unaccented syllables unity upward uttered verse vibrations voice vowels W. S. Gilbert Wagner's words