Rhythm and Harmony in Poetry and Music: Together with Music as a Representative Art; Two Essays in Comparative ÆstheticsG. P. Putnam's sons, 1894 - 344 páginas |
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Página xxii
... imitation of natural outlines or colors . With some , it hardly means imitation at all . It means the development of color according to the laws of har- mony . Even where the subject of art is a person , even in portraiture , there are ...
... imitation of natural outlines or colors . With some , it hardly means imitation at all . It means the development of color according to the laws of har- mony . Even where the subject of art is a person , even in portraiture , there are ...
Página xxxi
... Imitate the Speaking Voice - Intonation is Based on Comparison by Way of Repetition - Melody , Developed from this , is Based on Compari- son by Way of Consonance : Pythagoras and the Origin of Musical Scales - Variety , Introducing ...
... Imitate the Speaking Voice - Intonation is Based on Comparison by Way of Repetition - Melody , Developed from this , is Based on Compari- son by Way of Consonance : Pythagoras and the Origin of Musical Scales - Variety , Introducing ...
Página 4
... imitation , the relative duration or extension that shall be manifested in his works ? As a fact , we know that this is exactly what he does do . Duration and extension , however , are not the only conditions that the artist must ...
... imitation , the relative duration or extension that shall be manifested in his works ? As a fact , we know that this is exactly what he does do . Duration and extension , however , are not the only conditions that the artist must ...
Página 81
... . Notice , at the be- ginning of the Envoy , as also of the last , the address to the Prince , in imitation of the methods of the old balladists . a and loving are over . say row bed , STANZAS AND TYPICAL VERSE - FORMS . 81.
... . Notice , at the be- ginning of the Envoy , as also of the last , the address to the Prince , in imitation of the methods of the old balladists . a and loving are over . say row bed , STANZAS AND TYPICAL VERSE - FORMS . 81.
Página 97
... imitation in contrary motion , " thus : Motive from Beethoven's Sonata in D min . Op . 31 , with imitation in contrary motion : Motive from Schumann's Humoreske , Op . 20 , with imita- tion by inversion : It seems hardly necessary to ...
... imitation in contrary motion , " thus : Motive from Beethoven's Sonata in D min . Op . 31 , with imitation in contrary motion : Motive from Schumann's Humoreske , Op . 20 , with imita- tion by inversion : It seems hardly necessary to ...
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Términos y frases comunes
according Æneid æsthetic alliteration arranged Art in Theory ART-METHODS artistic assonance bass blank verse cadence cæsura cause Chapter chord color composed congruity connection consonants developed downward duration elocutionary expression fact Faerie Queene fifth Genesis of Art-Form Götterdämmerung gradation Greek harmony hexameter human voice iambic Idem imitation indicated inharmonic instance instruments length lines major major scale melody ments methods metre mind minor mood Motive movement musical scale nature notes Notice number of syllables octave Paradise Lost partial effects partial tones phrases pitch poetic poetry Poetry and Music poets principle produced quotation ratios reason recognized repetition representation Representative Art result rhyme rhythm scale sense Shakespeare singing song sounds speech stanzas strings suggested tendency termed terminal tetrameter thee thought tion tonic trimeter triple measures Trochaic unaccented syllables unity upward uttered verse vibrations voice vowels W. S. Gilbert Wagner's words