Rhythm and Harmony in Poetry and Music: Together with Music as a Representative Art; Two Essays in Comparative ÆstheticsG. P. Putnam's sons, 1894 - 344 páginas |
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Página viii
... latter sense , it will be observed that complete beauty necessitates something more than that which is either formal or expressional . It can be obtained in the degree only in which a form beautiful in itself fits a beautiful ideal ...
... latter sense , it will be observed that complete beauty necessitates something more than that which is either formal or expressional . It can be obtained in the degree only in which a form beautiful in itself fits a beautiful ideal ...
Página xii
... latter , refused to model his dramas upon those of his predecessors , which , in turn , were modelled upon those of the Greeks ? What was Hugo contending for ? For the right to emphasize chiefly the ideas behind the form - to speak out ...
... latter , refused to model his dramas upon those of his predecessors , which , in turn , were modelled upon those of the Greeks ? What was Hugo contending for ? For the right to emphasize chiefly the ideas behind the form - to speak out ...
Página xiii
... latter do , why it is that , at one period , all authors and artists incline to classicism , and at another all of them incline to romanticism ; while , at some periods , the same man seems almost equally inclined to both . Goethe's ...
... latter do , why it is that , at one period , all authors and artists incline to classicism , and at another all of them incline to romanticism ; while , at some periods , the same man seems almost equally inclined to both . Goethe's ...
Página xiv
... latter the form is " chiefly emphasized , " and therefore there is a more conscious , as well as apparent exercise of rational intelligence engaged in constructing a form for it , and in confining the expression to the limits of this ...
... latter the form is " chiefly emphasized , " and therefore there is a more conscious , as well as apparent exercise of rational intelligence engaged in constructing a form for it , and in confining the expression to the limits of this ...
Página xviii
... latter smutty , so long as the effects are anything but weak , our critics , especially of our religious journals , are apt to like it all the better . The truth is that the moment that , through an overbalancing regard for form ...
... latter smutty , so long as the effects are anything but weak , our critics , especially of our religious journals , are apt to like it all the better . The truth is that the moment that , through an overbalancing regard for form ...
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Términos y frases comunes
according Æneid æsthetic alliteration arranged Art in Theory ART-METHODS artistic assonance bass blank verse cadence cæsura cause Chapter chord color composed congruity connection consonants developed downward duration elocutionary expression fact Faerie Queene fifth Genesis of Art-Form Götterdämmerung gradation Greek harmony hexameter human voice iambic Idem imitation indicated inharmonic instance instruments length lines major major scale melody ments methods metre mind minor mood Motive movement musical scale nature notes Notice number of syllables octave Paradise Lost partial effects partial tones phrases pitch poetic poetry Poetry and Music poets principle produced quotation ratios reason recognized repetition representation Representative Art result rhyme rhythm scale sense Shakespeare singing song sounds speech stanzas strings suggested tendency termed terminal tetrameter thee thought tion tonic trimeter triple measures Trochaic unaccented syllables unity upward uttered verse vibrations voice vowels W. S. Gilbert Wagner's words