Rhythm and Harmony in Poetry and Music: Together with Music as a Representative Art; Two Essays in Comparative ÆstheticsG. P. Putnam's sons, 1894 - 344 páginas |
Dentro del libro
Resultados 1-5 de 37
Página vii
... requirements of those who attribute it to essentially mental results like association , adaptability , and conform ... requirements of the physical senses - the ears or eyes to which they appeal ; that , so far as beauty is psychical ...
... requirements of those who attribute it to essentially mental results like association , adaptability , and conform ... requirements of the physical senses - the ears or eyes to which they appeal ; that , so far as beauty is psychical ...
Página viii
... requirements of the minds that they address ; and that , so far as it is both physical and psychical , it results when all the elements entering into both physical and psychical effects harmonize together , and also with the combined ...
... requirements of the minds that they address ; and that , so far as it is both physical and psychical , it results when all the elements entering into both physical and psychical effects harmonize together , and also with the combined ...
Página x
... requirements of form considered only in itself . The proposition , at first thought , seems almost too apparent to need even to be stated . But on second thought no one can fail to observe that , if accepted as true , it will ...
... requirements of form considered only in itself . The proposition , at first thought , seems almost too apparent to need even to be stated . But on second thought no one can fail to observe that , if accepted as true , it will ...
Página xiv
... or unconsciously , to the requirements of significance or of form . It is important to recognize this fact , too , because , otherwise , we should not recognize that he is the master of his methods , and , if he choose , can xiv PREFACE .
... or unconsciously , to the requirements of significance or of form . It is important to recognize this fact , too , because , otherwise , we should not recognize that he is the master of his methods , and , if he choose , can xiv PREFACE .
Página xvi
... requirements of form . Go to critics of literature who believe that art is " the application to anything " of the laws of art - form - which , for reasons given on page 235 , is a strictly just way of shortening what is meant by the ...
... requirements of form . Go to critics of literature who believe that art is " the application to anything " of the laws of art - form - which , for reasons given on page 235 , is a strictly just way of shortening what is meant by the ...
Otras ediciones - Ver todas
Términos y frases comunes
according Æneid æsthetic alliteration arranged Art in Theory ART-METHODS artistic assonance bass blank verse cadence cæsura cause Chapter chord color composed congruity connection consonants developed downward duration elocutionary expression fact Faerie Queene fifth Genesis of Art-Form Götterdämmerung gradation Greek harmony hexameter human voice iambic Idem imitation indicated inharmonic instance instruments length lines major major scale melody ments methods metre mind minor mood Motive movement musical scale nature notes Notice number of syllables octave Paradise Lost partial effects partial tones phrases pitch poetic poetry Poetry and Music poets principle produced quotation ratios reason recognized repetition representation Representative Art result rhyme rhythm scale sense Shakespeare singing song sounds speech stanzas strings suggested tendency termed terminal tetrameter thee thought tion tonic trimeter triple measures Trochaic unaccented syllables unity upward uttered verse vibrations voice vowels W. S. Gilbert Wagner's words