Rhythm and Harmony in Poetry and Music: Together with Music as a Representative Art; Two Essays in Comparative ÆstheticsG. P. Putnam's sons, 1894 - 344 páginas |
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Página xxviii
... Unaccented Tones . VIII . ALLITERATION , ASSONANCE , AND RHYME 121-135 Like Effects in the Sounds of Syllables - Alliteration - In Hebrew Poetry - In Greek , Latin , French , Italian , Spanish , German - In Anglo - Saxon - As Used by ...
... Unaccented Tones . VIII . ALLITERATION , ASSONANCE , AND RHYME 121-135 Like Effects in the Sounds of Syllables - Alliteration - In Hebrew Poetry - In Greek , Latin , French , Italian , Spanish , German - In Anglo - Saxon - As Used by ...
Página 5
... unaccented syllables or notes , as they alternate in time , perform exactly analogous func- tions to those of light and shade , as they alternate in space . The impression of form , for instance , which , so far as it re- sults from ...
... unaccented syllables or notes , as they alternate in time , perform exactly analogous func- tions to those of light and shade , as they alternate in space . The impression of form , for instance , which , so far as it re- sults from ...
Página 9
... unaccented the syllables of our speech , in our pausing for breath between consecutive phrases , and in our balancing from side to side and pushing forward one leg or one arm and then another , while walking . There is rhythm in the ...
... unaccented the syllables of our speech , in our pausing for breath between consecutive phrases , and in our balancing from side to side and pushing forward one leg or one arm and then another , while walking . There is rhythm in the ...
Página 14
... unaccented , unless the sense very clearly demands a different treatment . These two facts enable one to arrange any number of our words so that the fixed accents shall fall , as natural utterance demands that it should , on every ...
... unaccented , unless the sense very clearly demands a different treatment . These two facts enable one to arrange any number of our words so that the fixed accents shall fall , as natural utterance demands that it should , on every ...
Página 16
... unaccented ; nor does it need to be argued that this tendency can be counteracted only by a method of grouping the syllables , making long ones , for instance , invariably precede short ones , or accented ones precede unaccented ones ...
... unaccented ; nor does it need to be argued that this tendency can be counteracted only by a method of grouping the syllables , making long ones , for instance , invariably precede short ones , or accented ones precede unaccented ones ...
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Términos y frases comunes
according Æneid æsthetic alliteration arranged Art in Theory ART-METHODS artistic assonance bass blank verse cadence cæsura cause Chapter chord color composed congruity connection consonants developed downward duration elocutionary expression fact Faerie Queene fifth Genesis of Art-Form Götterdämmerung gradation Greek harmony hexameter human voice iambic Idem imitation indicated inharmonic instance instruments length lines major major scale melody ments methods metre mind minor mood Motive movement musical scale nature notes Notice number of syllables octave Paradise Lost partial effects partial tones phrases pitch poetic poetry Poetry and Music poets principle produced quotation ratios reason recognized repetition representation Representative Art result rhyme rhythm scale sense Shakespeare singing song sounds speech stanzas strings suggested tendency termed terminal tetrameter thee thought tion tonic trimeter triple measures Trochaic unaccented syllables unity upward uttered verse vibrations voice vowels W. S. Gilbert Wagner's words