Rhythm and Harmony in Poetry and Music: Together with Music as a Representative Art; Two Essays in Comparative ÆstheticsG. P. Putnam's sons, 1894 - 344 páginas |
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Página xxx
... Upward and Downward Inflections Used in Reading , Causing Analogies to Musical Melody and Harmony - Different Kinds of Verse - Melody Produced by Different Arrangements of Sounds and Accents - Tunes of Verse as Determined by the Rhythm ...
... Upward and Downward Inflections Used in Reading , Causing Analogies to Musical Melody and Harmony - Different Kinds of Verse - Melody Produced by Different Arrangements of Sounds and Accents - Tunes of Verse as Determined by the Rhythm ...
Página xxxiv
... Upward - Snakes - Water - Flowing Ease - Giants ' Tread . III . REPRESENTATION THROUGH MUSICAL PITCH , HIGH • 264-273 AND LOW , UPWARD AND DOWNWARD Correspondences in the External World to High and Low Pitch- And to Upward and Downward ...
... Upward - Snakes - Water - Flowing Ease - Giants ' Tread . III . REPRESENTATION THROUGH MUSICAL PITCH , HIGH • 264-273 AND LOW , UPWARD AND DOWNWARD Correspondences in the External World to High and Low Pitch- And to Upward and Downward ...
Página xxxv
... Upward and Downward Movements in Effects both Anticipative and Conclusive - The Same Rendered Emphatic- Imitative Effects : Upward as in Rising - Downward as in Sink- ing - In Both Directions . PAGE IV . REPRESENTATION THROUGH MUSICAL ...
... Upward and Downward Movements in Effects both Anticipative and Conclusive - The Same Rendered Emphatic- Imitative Effects : Upward as in Rising - Downward as in Sink- ing - In Both Directions . PAGE IV . REPRESENTATION THROUGH MUSICAL ...
Página 57
... upward and down- ward movements of the voice at long or short intervals , which determine the character of the tunes of verse . It is this inseparable blending of the effects of metre , verse , and tune that makes it appropriate to ...
... upward and down- ward movements of the voice at long or short intervals , which determine the character of the tunes of verse . It is this inseparable blending of the effects of metre , verse , and tune that makes it appropriate to ...
Página 58
... upward and downward movement resembling that of a sharply drawn angular and zigzag line . Notice the second quotation on page 60. Triple measures , on the other hand , in which the voice on the first syllable following the accented one ...
... upward and downward movement resembling that of a sharply drawn angular and zigzag line . Notice the second quotation on page 60. Triple measures , on the other hand , in which the voice on the first syllable following the accented one ...
Otras ediciones - Ver todas
Términos y frases comunes
according Æneid æsthetic alliteration arranged Art in Theory ART-METHODS artistic assonance bass blank verse cadence cæsura cause Chapter chord color composed congruity connection consonants developed downward duration elocutionary expression fact Faerie Queene fifth Genesis of Art-Form Götterdämmerung gradation Greek harmony hexameter human voice iambic Idem imitation indicated inharmonic instance instruments length lines major major scale melody ments methods metre mind minor mood Motive movement musical scale nature notes Notice number of syllables octave Paradise Lost partial effects partial tones phrases pitch poetic poetry Poetry and Music poets principle produced quotation ratios reason recognized repetition representation Representative Art result rhyme rhythm scale sense Shakespeare singing song sounds speech stanzas strings suggested tendency termed terminal tetrameter thee thought tion tonic trimeter triple measures Trochaic unaccented syllables unity upward uttered verse vibrations voice vowels W. S. Gilbert Wagner's words