aside again directly, for the author does not know how to write English, and the first chapters give no idea of his power of apprehending the poetry of life. But happening to read on, we became fixed and charmed, and have retained from its perusal the sweetest picture of life lived in this land, ever afforded us, out of the pale of personal observation. That such things are, private observation has made us sure; but the writers of books rarely seem to have seen them; rarely to have walked alone in an untrodden path long enough to hold commune with the spirit of the scene.

In this book you find the very life; the most vulgar prose, and the most exquisite poetry. You follow the hunter in his path, walking through the noblest and fairest scenes only to shoot the poor animals that were happy there, winning from the pure atmosphere little benefit except to good appetite, sleeping at night in the dirty hovels, with people who burrow in them to lead a life but little above that of the squirrels and foxes. There is throughout that air of room-enough, and free if low forms of human nature, which, at such times, makes bearable all that would otherwise be so repulsive.

But when we come to the girl who is the presiding deity, or rather the tutelary angel of the scene, how are all discords harmonized; how all its latent music poured forth! It is a portrait from the life—it has the mystic charm of fulfilled reality, how far beyond the fairest ideals ever born of thought! Pure, and brilliantly blooming as the flower of the wilderness, she, in like manner, shares while she sublimes its nature. She plays

round the most vulgar and rude beings, gentle and caressing, yet unsullied; in her wildness there is nothing cold or savage; her elevation is soft and warm. Never have we seen natural religion more beautifully expressed; never so well discerned the influence of the natural nun, who needs no veil or cloister to guard from profanation the beauty she has dedicated to God, and which only attracts human love to hallow it into the divine.

The lonely life of the girl after the death of her parents, her fearlessness, her gay and sweet enjoyment of nature, her intercourse with the old people of the neighborhood, her sisterly conduct towards her "suitors," — all seem painted from the life; but the death-bed scene seems borrowed from some sermon, and is not in harmony with the rest.

In this connection we must try to make amends for the stupidity of an earlier notice of the novel, called "Margaret, or the Real and Ideal," &c. At the time of that notice we had only looked into it here and there, and did no justice to a work full of genius, profound in its meaning, and of admirable fidelity to nature in its details. Since then we have really read it, and appreciated the sight and representation of soul-realities; and we have lamented the long delay of so true a pleasure.

A fine critic said, "This is a Yankee novel; or rather let it be called the Yankee novel, as nowhere else are the thought and dialect of our villages really represented." Another discovered that it must have been written in Maine, by the perfection with which peculiar features of scenery there are described.

A young girl could not sufficiently express her delight at the simple nature with which scenes of childhood are given, and especially at Margaret's first going to meeting. She had never elsewhere found written down what she had felt.

A mature reader, one of the most spiritualized and harmonious minds we have ever met, admires the depth and fülness in which the workings of the spirit through the maiden's life are seen by the author, and shown to us; but laments the great apparatus with which the consummation of the whole is brought about, and the formation of a new church and state, before the time is yet ripe, under the banner of Mons. Christi.

But all these voices, among those most worthy to be heard, find in the book a real presence, and draw from it auspicious omens that an American literature is possible even in our day, because there are already in the mind here existent developments worthy to see the light, gold-fishes amid the moss in the still waters.

For ourselves, we have been most charmed with the way the Real and Ideal are made to weave and shoot rays through one another, in which Margaret bestows on external nature what she receives through books, and wins back like gifts in turn, till the pond and the mythology are alternate sections of the same chapter. We delight in the teachings she receives through Chilion. and his violin, till on the grave of "one who tried to love his fellow-men" grows up the full white rose-flower of her life. The ease with which she assimilates the city

life when in it, making it a part of her imaginative tapestry, is a sign of the power to which she has grown.

We have much more to think and to say of the book, as a whole, and in parts; and should the mood and summer leisure ever permit a familiar and intimate acquaintance with it, we trust they will be both thought and said. For the present, we will only add that it exhibits the same state of things, and strives to point out such remedies as we have hinted at in speaking of the little book which heads this notice; itself a rude charcoal sketch, but if read as hieroglyphics are, pointing to important meanings and results.

"COURRIER DES ETATS UNIS."

No other nation can hope to vie with the French in the talent of communicating information with ease, vivacity and consciousness. They must always be the best narrators and the best interpreters, so far as presenting a clear statement of outlines goes. Thus they are excellent in conversation, lectures, and journalizing.

After we know all the news of the day, it is still pleasant to read the bulletin of the "Courrier des Etats Unis." We rarely agree with the view taken; but as a summary it is so excellently well done, every topic put in its best place, with such a light and vigorous hand, that we have, the same pleasure we have felt in fairy tales, when some person under trial is helped by a kind fairy to sort the silks and feathers to their different places, till the glittering confusion assumes the order,— of a kaleidoscope.

Then, what excellent correspondents they have in Paris! What a humorous and yet clear account we have before us, now, of the Thiers game! We have traced Guizot through every day with the utmost distinctness, and see him perfectly in the sick-room. Now, here is Thiers, playing with his chess-men, Jesuits, &c. A hundred clumsy English or American papers could