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He had been ill when I last saw him, in the Christmas holidays: yet I little thought that the grave was so near him. I was summoned home, one day, to weep and wear mourning; and I went to the house of his widow, where he lay-dead. Oh what a visit was that! It haunted me for years.-The servant said that he-(what he'? was it the dust?) that he lay in the front drawing-room. I shuddered and stopped; but I was assured that he looked just as though he was asleep. Let no one believe such things. There is nothing so unlike sleep as death. It is a poet's lie. The one is a gracious repose, -a vital calm :-the other is a horrid solemnity,-no more like sleep than a mask of plaster; stiff, rigid, white-beyond the whiteness of shrouds or the paleness of stone. All parallels fail. We strain at comparisons

in vain.

I went up to see my old friend. There was great silence all about, and the stone steps of the staircase sent out unusual echoes. The door was opened, slowly, as though we should disturb the corpse. The windows were closed, and there were long wax candles burning at the head and at the feet; and over all a white sheet was carefully thrown. The length-the prodigious length that the body seemed to occupy, at once startled me, and I recoiled. But the servant proceeded, and uncovered the head of the coffin. After an effort I looked-Ah! would to God that I had never looked. There he lay, like a stone. His mouth was bound up, and his eyelids had been pressed down, and his nose was pinched as though by famine. The white death was upon him the rioter, the ruler of graves. And my old friend was swathed in fine linen, and pure crape was cut and crimped about him,-as though to save him from the worm and the sapping earth. 'Twas poor mockery of his humble state;-and yet perhaps it was meant kindly.-Three days after this he was borne away in a hearse, and I let out my grief in tears.

—I scarcely know how it is, but the deaths of children seem to me always less premature than those of elder persons. Not that they are in fact so; but it is because they themselves have little or no relation to maturity. Life seems a race which they have yet to run entirely. They have made no progress towards the goal. They are born,-nothing further. But it seems hard when a man has toiled high up the steep hill of knowledge, that he should be cast, like Sisyphus, downwards in a moment that he who has worn the day and wasted the night in gathering the gold of science, should be with all his wealth of learning, all his accumulations-made bankrupt at once. What becomes of all the riches of the soul,-the piles and pyramids of precious thoughts which men heap together?-Where is Shakespeare's imagination,-Bacon's learning? Where is the sweet fancy of Sidney,-the airy spirit of Fletcher, and Milton's thought severe ?-Methinks such things should not die and dissipate, when a hair can live for centuries, and a brick of Egypt will last three thousand years!-I am content to believe that the mind of man survives (somewhere or other) his clay.

-I was once present at the death of a little child. I will not pain the reader by pourtraying its agonies; but when its breath was gone-its life-(nothing more than a cloud of smoke!) and it lay like a waxen image before me, I turned my eyes to its moaning mother, and sighed out my few words of comfort. But I am a beggar in grief. I can feel, and

sigh, and look kindly,-I think; but I have nothing to give. My tongue deserts me. I know the inutility of too soon comforting. I know that I should weep, were I the loser; and I let the tears have their way. Sometimes, a word or two I can muster: a 'Sigh no more!' and 'Dear lady, do not grieve!'-but further, I am mute and useless.

To pass from this, to a scene of a darker colour. It was in W-shire that I heard a medical friend tell of a death-bed which he had witnessed. This I did not see, and it does not therefore perhaps strictly come under the title of this paper: the more especially as the sufferer was almost unknown to me: but let the reader excuse it. The man whom I refer to, was a rich farmer. He was the father of two natural children (females), whom he made do all the drudgery of his house. He was a hard landlord, a bad master, a libertine though a miser, a drunkard, a fighter at fairs and markets; and over his children he used a tyranny which neither tears nor labour could mitigate. But he was stopped in his headlong course. A fierce pain came upon him a fire raged in his vitals. His strong limbs, which no wrestler could twist, and no antagonist lay prostrate, shrank before an unseen foe. Fever encompassed him, and delirium; and in his frightful dreams he called aloud-he shrieked he wept like a child. He prayed for help for ease, for a little respite. It was all in vain. My friend attended this man, and, though used to scenes of death, this terrified even him. He said that the raving of the sufferer was beyond belief, -it was the noise of a great animal, not of man. His eye glared, and he swore perpetually, and said that Satan was in wait for him, and pointed towards a corner of the chamber. When he made an effort, it was like the struggle of the tiger. And then he would listen, and cry that he heard the dull roll of drums, and the stamp of a war-horse, and the sounds of trumpets-calling-calling; and he answered and shrieked that "he was coming."-And he came ! "Parce, pre

cor, precor!"

Most of my own friends have died calmly. One wasted away for months and months; and though death came slowly, he came too soon. I was told that Mr. "wished to live." On the very day on which he died he tried to battle with the great king,-to stand up against the coldness and faintness which seized upon him. But he died, notwithstanding, and though quietly, reluctantly. Another friend (a female) died easily and in old age, surviving her faculties. A third met death smiling. A fourth was buried in Italian earth among flowers and odorous herbs. A fifth-the nearest of all-died gradually, and his children came about him, and were sad; but he was resigned to all fortunes, for he believed in a long "hereafter!". And so time passes. So

“Labuntur anni: nec pietas moram
Rugis et instanti senectæ

Afferet, indomitaque morti."

-There is something inexpressibly touching in an anecdote which I have heard of a foreign artist. He was an American, and had come hither (he and his young wife) to paint for fame and—a subsistence. They were strangers in England: they had to fight against prejudice and poverty; but their affection for each other solaced them under

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every privation, every frown of Fortune. They could think, at least, all the way over" the great Atlantic; and their fancy (little cherished here) had leisure to be busy among the friends and scenes which they had left behind. A gentleman, who had not seen them for some time, went one day to the artist's painting-room, and observing him pale and worn, inquired about his health, and afterwards regarding his wife. He answered, only, "She has left me;" and proceeded in a hurried way with his work. She was dead!—and he was left alone to toil, and get money, and mourn. The heart in which he

had hoarded all his secrets, all his hopes, was cold; and Fame itself was but a shadow!-And so it is, that all we love must wither,—that we ourselves must wither and die away. 'Tis a trite saying: yet a wholesome moral belongs to it. The thread of our life is spun: it is twisted firmly, and looks as it would last for ever. All colours are there,the gaudy yellow and the sanguine red, and black-dark as death; yet is it cut in twain by the shears of Fate almost before we discern the peril.

All that has been, and is, and is to come, must die, and the grave will possess all. Already the temple of Death is stored with enormous treasures: but it shall be filled, till its sides shall crack and moulder, and its gaunt king "Death, the skeleton," shall wither, like his prey.— Oh! if the dead may speak, by what rich noises is that solemn temple haunted! What a countless throng of shapes is there,-kings and poets, philosophers and soldiers! What a catalogue might not be reckoned, from the founder of the towers of Belus, to the Persian who encamped in the Babylonian squares,-to Alexander, aud Socrates, and Plato, to Cæsar,-to Alfred! Fair names, too, might be strung upon the list, like pearls or glancing diamonds,-creatures who were once the grace and beauty of the earth, queens and gentle women,Antigone and Sappho,-Corinna and the mother of the Gracchi,-Portia and Agrippine. And the story might be ended with him, who died an exile on his sea-surrounded rock, the first emperor of France, the king and conqueror of Italy, the Corsican soldier, Napoleon.

-I will here take leave of this melancholy subject. I have touched upon it in a desultory way: but it is difficult to reduce our sorrows to system, or to array such recollections as these in the best order. For my own part, I have been content to relate them just as they occurred to me let the reader submit, for once, to be as easily satisfied as I S.

was.

PETER PINDARICS.

South Down Mutton.

Ir men, when in a rage, porrected
Before a glass their angry features,
Most likely they would stand corrected,
At sight of such distorted creatures;
So we may hold a moral mirror

Before these myrmidons of passion,
And make ill-temper see its error,
By gravely mimicking its fashion.

A sober Cit of Sweeting's Alley,

Deem'd a warm man on 'Change, was what
In temper might be reckon'd hot,
Indulging many an angry sally
Against his wife and servants :-this
Is no unprecedented state,

For man and wife, when tête à tête
They revel in domestic bliss;
But to show off his freaks before his
Guests, was contra bonos mores.
Our Cit was somewhat of a glutton,
Or Epicure at least in mutton,
Esteeming it a more delicious
Feast, than those of old Apicius,
Crassus's savoury symposia,
Or even Jupiter's ambrosia.

One day a leg arrived from Brighton,
A true South Down legitimate,

When he enlarged with much delight on

The fat and grain, and shape and weight,-
Pronounced on each a learned stricture,
Declared the joint a perfect picture,
And as his eye its outline follow'd,
Call'd it a prize-a lucky hit,
A gem-a pearl more exquisite
Than ever Cleopatra swallow'd,
Promulging finally this fiat-

"I'll dine at five and ask Jack Wyatt."

The cover raised, the meat he eyed

With new enjoyment-next the cloth he

Tuck'd in his button-hole, and cried,
"Done to a tittle-brown and frothy!"
Then seized the carving-knife elate,
But lo! it would not penetrate
The skin (the Anatomic term is
The what-dye-call?-ay-Epidermis.)
He felt the edge-'twas like a dump,
Whereat with passion-crimson'd frown,
He reach'd the stair-head at a jump,
And threw the blade in fury down,
Venting unnumber'd curses on
His thoughtless lazy rascal-John.
His guest, observing this disclosure
Of temper, threw with great composure
The dish, with mutton, spoons and all,
Down helter-skelter to the hall,

Where it arrived with fearful clatter.

"Zounds!" cried the Cit-" why, what's the matter?" Nothing whatever," with a quiet

Look and accent, answer'd Wyatt:

"I hope I haven't unawares

Made a mistake; but, when you threw
The knife below in such a stew,

I thought you meant to dine down stairs!"

H.

MODERN PILGRIMAGES.-NO. IX.

The Tomb of Virgil, Misenum, Avernus, &c.

THE tomb of Virgil! Incredulity is aroused at the name, and even our reverence for the bard is offended, that an earthly trace should remain of a spirit so divine. Besides, with us Virgil's times are those of his poem, not of his contemporaries; we never dream of him as a personage of the Augustan age. Our school recollections identify him with Æneas, with the Sibyl, with old Evander, and the Aborigines, that preceded by many centuries the birth of Romulus and of Rome. It is astonishing how long we sometimes hold truth at defiance, and refuse to feel the thing we have always known. I was startled to find Virgil contemporary with secure records and a civilized age, and to see the place of his death and burial fixed without the aid of mystery or tradition. He died at Brundusium, and was buried by the order of Augustus at Naples, his favourite place of residence, on the road to Puteoli, within the second milestone from the city. As one extreme naturally leads to another, I pass from utter scepticism to complete belief, finding a sepulchre on the road to Puteoli, now Puzzuoli, about the requisite distance from Naples. Mr. Forsyth may tell me, that this rests solely on the testimony of "Donatus, an obscure grammarian," be it so: but Donatus lived a few centuries after Virgil, and had a far better right to be believed on the subject than we.

Of old at a distance from Naples, but now joined to it by the beautiful suburb of Chiaja, is Mount Pausilippo, which stretches out into the sea, and divides the Bay of Naples into two inferior gulfs, that of Puzzuoli, and that which immediately washes the city itself. The road from Naples to Puzzuoli, instead of crossing the summit of Mount Pausilippo, is cut directly through it: an undertaking rendered practicable by the tufus and soft volcanic matter of which the mountain is composed. The subterranean passage, considered ancient even in the time of the Romans, and described as such by Seneca and Strabo, is of nearly half a mile in length, and its extent made me smile at recollecting the petty though vaunted galleries of the Simplon. At the entrance of this passage or grotto, but elevated much above it, owing to the gradual sinking of the road in its subsequent repairs, stands the contested tomb of Virgil, a square, low-arched, and, but for its name, nowise remarkable ruin. A visitor may enter stooping, and stand upright within. "The structure itself," says Forsyth, "resembles a ruined pigeon-house, where the numerous columbaria would indicate a family sepulchre: but who should repose in the tomb of Virgil but Virgil alone?" It should be remembered, that the freedmen and slaves of Augustus were buried, according to his own plan, in the same mausoleum with himself: and Virgil was not without his household. "There is a tradition among the Neapolitans," says De Sades in one of his notes, "confirmed by many historians, that, during the reign of king Robert, strangers opened the tomb of Virgil, and took from thence a marvellous book of secrets. This robbery having raised a fear that even the bones of the poet were not safe, the urn which contained them was transported to the Chateau Neuf; but where they were placed, no one knows." This indeed, has all the air of tradition. Opposite the

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