Shakespearean CriticismCengage Gale, 2002 - 448 páginas This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Página 75
... position by betraying insecurity about his kingship . As Faulconbridge demonstrates in the first act , what is important in this play is not so much who is legitimate ( for titles and legalities are all subservient to commodity ) but ...
... position by betraying insecurity about his kingship . As Faulconbridge demonstrates in the first act , what is important in this play is not so much who is legitimate ( for titles and legalities are all subservient to commodity ) but ...
Página 81
... position as " the reputed son of Coeur - de - Lion , / Lord of thy presence , and no land beside " ( I.1.136-37 ) . As " reputed son , " Philip's new identity would position him as both a part of and apart from the traditional social ...
... position as " the reputed son of Coeur - de - Lion , / Lord of thy presence , and no land beside " ( I.1.136-37 ) . As " reputed son , " Philip's new identity would position him as both a part of and apart from the traditional social ...
Página 82
... position when he acts out these new roles for himself further undermines the traditional social order upon which his elevated status is based . As the theater emphasizes an actor's physical presence , a self created in action , and a ...
... position when he acts out these new roles for himself further undermines the traditional social order upon which his elevated status is based . As the theater emphasizes an actor's physical presence , a self created in action , and a ...
Contenido
King John | 1 |
Character Studies | 38 |
Production Reviews | 62 |
Derechos de autor | |
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Otras ediciones - Ver todas
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action Antigonus argues Arthur audience Autolycus Bastard becomes blood Brabantio Camillo Cassio character Christian claim Claudius comedy Constance critics cultural death demona Desdemona desire discourse dramatic Eleanor Elizabethan Emilia England English Erinyes essay father Faulconbridge Florizel ghost Hamlet handkerchief hath heaven Henry Hermione Hermione's Hieronimo human husband Iago Iago's innocence John's kill King John Laertes language Lavinia Leontes London lord Macbeth madness male Mamillius marriage means ment metaphor misogyny moral mother motif murder nature Othello Pandulph passion Paulina Perdita Philip play's plot political Polixenes present Press Prince Prospero relationship Renaissance response revenge play revenge tragedy rhetoric Richard Richard III role says scene sense sexual Shake Shakespeare Shakespeare's play Spanish Tragedy speak speare speare's speech stage suggests Tamora Tempest theatrical thee thou tion Titus Andronicus tragic Troublesome Raigne truth Univ vengeance Venice wife Winter's Tale woman women words