Shakespeare Translated: Derivatives on Film and TVPeter Lang, 2005 - 173 páginas Shakespeare's works are constantly being translated into new contexts, a fact which demonstrates the vitality of his plots in contemporary settings. Shakespeare Translated looks at the way certain plays - particularly Romeo and Juliet, Hamlet, Othello, and King Lear - have been recontextualized into films like O and King of Texas, or television shows such as «The Gilmore Girls», «Cheers», and «Clueless». This book illustrates how Romeo and Juliet is the most shamelessly appropriated of Shakespeare's scripts for contemporary use because its plot fits so neatly into the teenage culture that has burgeoned since the late 1950s. Shakespeare Translated looks at what has happened to Shakespeare, for better or - more often - for worse, as the new millennium begins. |
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Página 27
... memory of having played Romeo to Cornell's Juliet to sustain him . And the script could be played for laughs in 1943. As he raises the poison to a seemingly dead Juliet , Cantinflas , in the Mexican film Romeo y Jolieta , directed by ...
... memory of having played Romeo to Cornell's Juliet to sustain him . And the script could be played for laughs in 1943. As he raises the poison to a seemingly dead Juliet , Cantinflas , in the Mexican film Romeo y Jolieta , directed by ...
Página 92
... Hamlet may be once Fortinbras uses Hamlet's body- politic ( " most royal ... had he been put on " ) to reinforce the " rights of memory " that make him Denmark's king . This made - for - TV film does have a 92 Shakespeare Translated.
... Hamlet may be once Fortinbras uses Hamlet's body- politic ( " most royal ... had he been put on " ) to reinforce the " rights of memory " that make him Denmark's king . This made - for - TV film does have a 92 Shakespeare Translated.
Página 139
... memory of the past , not a living guide to present behavior . Their observation , then , tends to violate a sense of " right " that may be evolving , but has yet to be articulated . Tamora can only appeal for Alarbus on the basis of ...
... memory of the past , not a living guide to present behavior . Their observation , then , tends to violate a sense of " right " that may be evolving , but has yet to be articulated . Tamora can only appeal for Alarbus on the basis of ...
Contenido
Introduction | 1 |
Romeo and Juliet | 25 |
Hamlet | 57 |
Derechos de autor | |
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A. C. Bradley actor Andy Animated Shakespeare argues asks assassination audience balcony Bazin becomes Booth Cambridge Capulet characters Christian Claudius clichés Cordelia course culture daughter dead death depicted Desdemona Desi director dream Elliot emerge episode Eugenie evil example fall in love father film's final Ghost girl Gonzago Grandet Guildenstern Hamlet Iago inevitable issue Jago John Kenneth killed King Lear Kovu lago Lear's London looks lovers Macbeth Michael modern murder narrative Nishi Ophelia Othello Paul perhaps Peter Players Pocahontas political Polonius postmodern production reinforce revenge Richard Burt Richard III Robert F role Romeo and Juliet Rosencrantz Rothwell says scene script Shakespeare films Shakespeare in Love Shakespeare on Film Shakespeare on Screen Shakespeare Quarterly Shakespeare's play shows Simba stage stars story suggests teenage television tells Tempest theater Titus Tony Howard tragedy University Press Wada West Side Story Willson woman York Yoshiko young