The Works of Shakespeare ..., Volumen34Bobbs-Merrill Company, 1901 |
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... affection some of the milder and even weaker characters of his dramas . Although the phrase , “ the gentle Shakespeare , ” must not be taken in any modern nambypamby sense , everything we know goes to show that Shakespeare , unlike his ...
... affection some of the milder and even weaker characters of his dramas . Although the phrase , “ the gentle Shakespeare , ” must not be taken in any modern nambypamby sense , everything we know goes to show that Shakespeare , unlike his ...
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... affection to his brethren as well as to Lavinia , a brotherly affection that Shakespeare is fond of depicting , and which he evidently valued as often coming nearer to pure disinterested personal love than even that between parents and ...
... affection to his brethren as well as to Lavinia , a brotherly affection that Shakespeare is fond of depicting , and which he evidently valued as often coming nearer to pure disinterested personal love than even that between parents and ...
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... affection , although Shakespeare so carefully teaches us the inadequacy of these instincts when they do not eventuate in really personal love . Poor Titus himself , like Lear , has more than expiated his faults by his sufferings , and ...
... affection , although Shakespeare so carefully teaches us the inadequacy of these instincts when they do not eventuate in really personal love . Poor Titus himself , like Lear , has more than expiated his faults by his sufferings , and ...
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Términos y frases comunes
Aaron affection authorship Bassianus blood bring brother character child Chiron close comes common course critics dead death Demetrius doth doubt Elizabethan emperor empress Enter evidence eyes father favour feel friends give Goths hand hast hath heart heaven Henry honour Introduction kill King later Lavinia Lear least leave live look lord Lucius Marc Marcus means mind Moor moral murder nature never noble original perhaps person piece play plot poor possible probably queen regarded revenge Richard Roman Rome Saturninus scene seems sense Shake Shakespeare shows sons sorrow speak speech story sure sweet Tamora tears tell thee thing thou Titus Andronicus tragedy tribunes true turn villain whole writing written wrong young